1002-5529
2015 Issue 1
The Combination of History and Fabrication:The Postmodern Narrative Devices in “The Leather Man”
LONG Yun;
LONG Yun;
..............page:3-9+157
pi nan ren
ai de jia lao lun si duo ke tuo luo ; long yun ;
ai de jia lao lun si duo ke tuo luo ; long yun ;
..............page:10-14
An Interpretation of Lakoff’s Theory of Metaphor from the Viewpoint of Bonnefoy’s Metaphor of “Listening”
JIANG Yuhui;
JIANG Yuhui;
..............page:15-23+157
shi shi er shou
yi fu bo na fu wa ; jiang yu hui ;
yi fu bo na fu wa ; jiang yu hui ;
..............page:24-26
One-way Projection behind Two-way Secret Love:Covert Progression in Mansfield’s“Psychology”
SHEN Dan;
SHEN Dan;
..............page:27-39+157
..............page:39
..............page:40-50+157-158
..............page:50
..............page:51-61+158
..............page:62-70+158
The “Fictional Reality” and Non-Orientalist Narration:Michael Ondaatje’s Running in the Family
LIU Dan;
LIU Dan;
..............page:71-78+158
..............page:79-87+158-159
..............page:87
..............page:88-94+159
Body as Metaphors in Perspective of Belle Culture:An Analysis of Welty’s The Golden Apples
ZHAO Huihui;
ZHAO Huihui;
..............page:95-101+159
On Multiculturalism
HU Puzhong;
HU Puzhong;
..............page:102-110+159
On Literary Map
GUO Fangyun;
GUO Fangyun;
..............page:111-119+159
..............page:120-127+159-160
..............page:128-136+160
The Biblical Metaphor in Toomer’s Cane
NANGONG Meifang;
NANGONG Meifang;
..............page:137-143+160
wen xue yu jiang jie quan guo xue shu yan tao hui tong zhi
ben kan bian ji bu ;
ben kan bian ji bu ;
..............page:143
..............page:144-151+160
Innovation and Challenge in the Craft of Interpretation:Dan Shen’s Style and Rhetoric of Short Narrative Fiction:Covert Progressions behind Overt Plots
H.Porter Abbott;
H.Porter Abbott;
..............page:152-156+160