Shanghai Theatre 2016 Issue 3 Ontology is the Fundamental Method of Xiqu Creation

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Shanghai Theatre
0559-7277
2016 Issue 3

Ontology is the Fundamental Method of Xiqu Creation
shen bin ;

..............page:4-7

Kunqu Opera Music Creation Should Centre on the Proper Usage of Qupai
gu zhao lin ;

..............page:8-9

Discussion on the Newfound Version of Yu Sulu's Manuscript
tang zuo xiang ;

..............page:10-12

Review on18 Arhats by Guoguang Opera Company
yang jing lei ;

..............page:13-15

Review on Peking OperaGrand Occasion in the Golden Years of Zhenguan (2016)
dai ping ;

..............page:16-17

Interview with Gregory Doran and Owen Horsley Directors of Royal Shakespeare Company
mu ye ;

..............page:18-20

MusicalMiss Saigon (2014):The Old Ghost Is Still Hanging Around in the New Century
meng zuo ;

..............page:21-23

Shen Shouliang：A Yaoju Opera Living History
mo xia ;

..............page:24-25

Discussion on the Art of Chen School in Huaiju Opera
li jia hu ;

..............page:26-28

My Experiences on Crowdfunding Wang Peiyu's Nanjing Concert
gao li ping ;

..............page:29-30

Review on DramaLies
ai sha sha ;

..............page:31-32

Review on DramaDriving Miss Lily
guo hui zhong ;

..............page:33-35

Talking About Monkey King in Year of the Monkey②
yan qing gu ;

..............page:36-37

qu pai zu he shi jian zhi liang ti cai yi shang
yu miao lan ;

..............page:38-39

cheng hua qi lian
zhu jia long ;

..............page:40-67