Shanghai Theatre 2015 Issue 8 It Does Not Matter What Is the Best Look of Kunqu Opera

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Shanghai Theatre
0559-7277
2015 Issue 8

It Does Not Matter What Is the Best Look of Kunqu Opera
xiao xi ;

..............page:3-5

The Moon Illuminated Not Only the Moderns but also the Ancient
du zhu min ;

..............page:6-8

Discussion on Qupai Design of Kunqu Opera Blossoms on Spring Moonlit Night
gu zhao lin ;

..............page:9-10

Discussion on Music of Kunqu Opera Blossoms on Spring Moonlit Night
yu miao lan ;

..............page:11-14

Discssion on Visual Design of Kunqu Opera Blossoms on Spring Moonlit Night
zhang xiao zuo ;

..............page:15-17

Interview with Claudia Stavisky the Director of Drama Black Bird
mu ye ;

..............page:18-19

Drama Black Bird Review:Metaphor Flowers of Evil
xiang ding ding ;

..............page:20-21

Drama Uncle Poet Review:Taiwan Emotional Life Poem
li yuan ;

..............page:22-23

Li Min and Her 33-years Pursuit of Yueju Opera
huang guo qing ;

..............page:24-25

Guardian Dreams with Sincere Heart
wu xin bin ;

..............page:26-28

Discussion on Li Min’s Performance Characteristics in Yueju Opera The Female Prince Consort
yang xiao qing ;

..............page:29-31

The Singing Design in Yueju Opera The Female Prince Consort
jin liang ;

..............page:32-32

The Fate of Feng Suzhen and Me
li min ;

..............page:33-35

The Vitality of Huaiju Opera Lies on Keeping a Close Touch with Ordinary People
zhu heng fu ;

..............page:36-39

To Prospect the Future of Huaiju Opera in My Opinion
luo huai zhen ;

..............page:40-41

Discussion on the Straits and Solution of Huaiju Opera in Shanghai
mao shi an ;

..............page:42-43

Interview with Director and Actress of Drama 4:48 Pyschosis
lu xiao yan ;, li yan shi ;

..............page:44-45

Review of Plays in 2015 Vienna Art Festival
cai yan ;

..............page:46-47

Ancient Greek Drama Alcestis Review:Contemporary Interpretation of Ancient Greek Drama
chen ying ;

..............page:48-49

The Preface of Xinjushi (The Collation)
zhou hua bin ;

..............page:50-52

gao qing kui chuan ba
li shu ;, yu jiu jiu ;

..............page:53-54

Discussion on Peking Opera in Taiwan from Peking Opera Three People and Two Lights
yang pi ;

..............page:55-57

Research on the“Shavian”Drama from John Bull's Other Island
du yu ;

..............page:58-60

Research on The Phantom of the Opera 25th Anniversary Costume Design
li zhao qing ;

..............page:61-63

Study of Lingzi in Theatre Performance
li zhi min ;

..............page:64-67