Journal of Nanjing Art Institute (Music & Performance) 2010 Issue 1 The Sidelights of Professor Yang Liqing\'s Visit in Nanjing Arts Institute

The Sidelights of Professor Yang Liqing\'s Visit in Nanjing Arts Institute
sun xiao zuo

..............page:173-174

Also Speaking About the Ontology of Musical CompositionThoughts on Mr. Wang Ningyi\'s "On the Way of Being of Musical Composition"
xu hai dong

..............page:6-10

Preliminary Study on the Interactive Relationship Between Music and Lyrics of Performing the Anhui Opera
zhao li

..............page:45-54

ma you de jiao shou cong yi cong jiao 60 zhou nian shi sheng yin le hui jian ying

..............page:封底

A Report on Current Musicology Teaching in German-Speaking Europe: Using Musicological Institute of Zurich University as the Main Case
ban li xia

..............page:89-93

ben qi ming jia qin xu

..............page:后插3-封3

shuang sheng jue miao qi kong shen qi liu zheng guo shuang zhu shen yun du zou yin le hui zuo liu shi " qi kong di " zhuan ti yan tao hui zai hu ju xing

..............page:147

Study on the Origin of "Fa Qu" (Buddhists\' Ceremonial Music)
li qiang ; he xiao quan

..............page:18-22

Protecting National Cultural Heritage in the Globalization——Study on the Categories and Scope of Culture and Arts
qin xu

..............page:33-44

Review of the Middle and Elementary School Music Education and Its Connotation in Recent and Contemporary Times in China
zhang yi

..............page:79-83

Study on the Compositional Technique of the Piano Suite "Children\'s Songs"
ji feng lai

..............page:66-73

Thoughts on Establishing "Ethno-Aesthetic Psychology in Music"
shi yong

..............page:94-103

New Probe on the Nature and the Disappearance of the "Yue Jing" ("The Music Canon")
tian jun

..............page:23-25

Blending and Transfiguring——The Interrelationships Between Mahler\'s Third Symphony and Art Songs
yuan zuo

..............page:121-127

Village Film with Patriarchal Language Image of Peasant Women in the Films of the KMT——Controlled Areas During the War Against the Japanese Invasion
ci xiang

..............page:140-143

Script, the Starting Point for Research on a Dance Drama\'s Narrative Nature
xu zuo

..............page:152-161

Study on the Music Aesthetics of Aristotle
song xiang rui

..............page:1-5

The Doctrines of Etiquette Music——Study on the Theory of Music Aesthetics of Ouyang Xiu\'s Early Period
ren chao ping

..............page:11-17,22

Is "Of the Absence of Pleasure or Sorrow in Music" Against Its Author\'s Beliefs?
zhang zhen

..............page:128-131

Compliance and Assimilation——Analysis on the Physiological Principals Formed From Musical Performance Ability
feng xiao gang

..............page:84-88,120

On the Rhythmic and Time Processing Features in the Compositions of Toru Takemitsu
xu zhi bin

..............page:113-120

Study on the Special Features of Breathing Technique and Theory of Singing in Ancient China
zhao zuo

..............page:74-78,93

The Scholar——Musician Phenomenon of the Late Middle Ages——And on the Birth of the Concept of "Opus" in Western Music
wu wei zuo

..............page:26-32

Views on Contemporary Chinese Films
shen yi zhen

..............page:132-137

ying wen zhai yao

..............page:175-176

In Search of the Nanjing "Underground Band"
xie li rong

..............page:55-59

The Ballet Style of August Bournonville
zhao ying

..............page:162-165

Media Figures\' Image and Its Social Influence in Public Crisis
fan fei yan ; han shun fa

..............page:148-151

Ren Jie, the Star of Two Top Prizes
yi ren

..............page:166-168

The Opera "Jiang Jie" and the Book "Xian Qing Ou Ji"——Comments on Professor Dai Penghai\'s Lecture "From Dramatic Structure to the Opera Jiang Jle"
ge xiao yi

..............page:169-172

yang li qing jiao shou dai peng hai jiao shou lai wo yuan jiang xue

..............page:封底

On the Narrative Methods Used in the Film "Peacock"
zhang yu hua

..............page:144-147

yin le xue yuan yin le jiao yu xi jiao xue cheng guo zhan shi hui

..............page:54

Study on Schoenberg\'s "Sudden Change" Method in Orchestration——Using the Fourth of the "Five Pieces for Orchestra" as an Example
li yang

..............page:60-65

From Difference to Healing——The Aesthetic Differences and Their Historical Changes of the Aulos in the Ancient Greek and Roman Cultures
man xin ying

..............page:104-112,137

ben qi ming jia shen yi zhen

..............page:封2,后插1-后插2

Return to Simplicity——"Hamlet 1990"
cai wei

..............page:138-139