Journal of Nanjing Art Institute (Music & Performance) 2009 Issue 1 Thesis and Talk Abstract in the Advanced Forum for the Reform and Opening Policy and Chinese Contemporary Musicology

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Journal of Nanjing Art Institute (Music & Performance)
1008-9667
2009 Issue 1

Thesis and Talk Abstract in the Advanced Forum for the Reform and Opening Policy and Chinese Contemporary Musicology
"gao ceng lun tan " mi shu zu

..............page:1

The Second Glorious Conference——Reading Advanced Forum for the Reform and Opening Policy and Chinese Contemporary Musicology
zhang

..............page:10

Founder and disseminator of music subject of NANJING ART INSTITUTE
Ju Qihong

..............page:16

Preface to Han Peishan's "On Music Language"
Mao Yuan

..............page:18

Interpretation of Mao Yuan's "Music Form and Analysis"(Part Two)
Hua Cuikang

..............page:23

Researching historical trace of Chinese aesthetics in simplicity-Mao Yuan's theory of Chinese music aesthetics and teaching thought
Wang Anchao

..............page:37

Review of Prof. Mao Yuan's 80 birthday celebration forum
Wang Xiaojun

..............page:43

Why did Jiegu use "Taicu Melody"
Zheng Zuxiang

..............page:47

Verification of relation between Gong Tone in "Jiu Gong Da Cheng" and "Resonance and Affection in Gong Tone"
Wu Zhiwu

..............page:54

Relation between bell chime of Zeng Hou Yi and three tones song of Xing Shan through pitch deter mination
Chen Xin

..............page:61

Analysis of Chinese modern music——Tan Dun's earty age music work "Nan Xiang Zi"
Li Jiti

..............page:67

Formation of Chen Yi's view of creation aesthetics
Sun Qi

..............page:73

On Toru Takemitsu's middle stage creation
Xu Zhibin

..............page:81

Principle of acoustic synthesization in frequency spectrum music
Xiao Wuxiong

..............page:88

Music and acoustic effect in cartoon "Children are Coming"
Zhuang Xiaoni

..............page:94

New trend——moment of Chinese movie in 1930s'
Yuan Qingfeng

..............page:100

Magic realism in Richard Kaufman's movies
Lin Ziqing

..............page:105

Loneliness in storm——on realistic strength of "Hotel Rwanda"
Fang Mengyang

..............page:109

Investigation of staffs in cartoon industry in Jiangsu province and research on strategy
Wang Wei

..............page:112

Outline of three stages in Pipa training
Huang Guanglin

..............page:115

Revolution of cello performance in 18th century——interpretation of the technique of "thumb position" in Jean-Louis Duport's "Twenty One Cello Etudes"
Wang Dingzhu

..............page:119

From perception to interpretation——Prof. Li Jiti's rational thinking to music
An Luxin

..............page:126

Conductor career resonating with time——Prof. Shi Zhongguang, the conductor and music educator
He Xiaolian

..............page:132

Historical epitome of Chinese modern music education-re-reading Sun Jinan's "Annals of Chinese Modern Music Education History"
Cui Huizi

..............page:141