Journal of Nanjing Arts Institute(Fine Arts & Design0 2004 Issue 3 "the Momentum" in Sign Design

"the Momentum" in Sign Design
wang ying

..............page:137-139

the "Humane" Design in the Design of Domestic Electrical Appliances
li xiao fang

..............page:135-136

To Use the Thought of ZhuangZi for Reference in Industrial Design
gao yan hui

..............page:132-134

The Eastern Sentiment on T-shape Stage in Paris
zhu zuo

..............page:130-131

How to Promote the Quality of Product Design
zhang wei wei

..............page:128-129

The Beauty of Modern Practical Lacquerware
wang zuo

..............page:126-127

Longing for Foreign Countries and Being Attached to Hometown -- On DongShanKuiYi's Intelligent Interpretation of Nature
chen shan shan

..............page:123-125

Product Design and Cultural Implications
bo lin sen

..............page:121-122

Three Arguments on Expressional Sculpture
shang rong

..............page:118-120

Dancing with Shackles:Limitations and Remedies of Fresco Composition
jiang ji hua

..............page:59-61

Looking at Dialectically the Influence of Dong QiChang"s "Theory of Southern & Northern Sects" on Chinese Paintings
yuan jun hua

..............page:56-58

On the Aesthetic Characteristic of Ceramics in Song Dynasty
guo qiang

..............page:53-55

guan yu liang kai ji ge wen ti de tan tao -- yu hong zai xin xian sheng shang que
wei yan

..............page:52,36

the Regional Distribution and Social Origins of Painting and Calligraphy Communities in Modern Times
qiao zhi qiang

..............page:49-51,25

"yuan tai yin she " shi shi kao
ding zheng

..............page:47-48

Another Wisdom--the Simplicity and Humor in European Cartoon
jiang qing lei

..............page:140-141

Perspective of "Tranquilty" and Landscape Paintings of Literati
zhao da jun

..............page:142-143

Functions of Artistic Design and Cultivation of Talents in Universities
tang juan

..............page:144-145

Two Different Dimensions --Reconsidering the Relations between Modernity and Tradition in Design
feng yan na

..............page:146-147

Inquiry into the Appreciating Means of Chinese Traditional Calligraphy and Painting
ruan li

..............page:148-150

zhe bi yu di jian -- shi dian li xing de jian li yu liang song shan shui hua jing zhi xing cheng
zhou kang

..............page:151-153

Discussing from "Different Kinds with Different Colors"-- Interpreting the Development of Color Sense in Modern Landscape Painting with Strong Colors
liu ya zuo

..............page:96-99

Talking about Tastes
huang geng zhuo

..............page:100-101

Realistic Description of Cultivating Creative Ability in Art Education
zhao bao shan

..............page:102-105

qing chun de xue yuan : yang zhou da xue yi shu xue yuan xun li
he wan li

..............page:106-107

zai jian shou chuan tong yu rui yi ge xin zhong kai zhan hui hua shi xue shi yan jiu --2004' hang zhou bai nian zhong guo hui hua shi xue shi yan tao hui fa yan ji yao
qiu guo liang

..............page:108-110

Discussing Ren BoNian's Flower and Bird Paintings
chen bei xi

..............page:111-112

Healthy Industrial Design
sun jing

..............page:113-114

Re-Interpreting〈Decoration Is Evil〉
xu hui

..............page:115-117

Reviewing and Considering the Reform Experiments of Cultivating Compound Teachers of Art
xu chen you ; yang hua

..............page:92-95

tou shi de kong jian he xu shi de fang shi -- du fu lang qie si ka pei lu ji nuo deng hua jia de zuo pin
liu wei dong

..............page:89-91

the Forming and the Strengthening of Chinese Consciousness to the Modern Art Design
zuo xie

..............page:87-88

Analyzing Chinese Traditional Embroider and Modern Embroider with Disordered Needles
zhang jian jun

..............page:85-86

Modern Art Movement and Interior Design
zhang zuo

..............page:83-84

Void Space--Re-recognizing the Packing Design
ding yao

..............page:80-82

Net- Page--New Technical Factor in Design Art
chen li qun

..............page:77-79

Talking about the Methodology of Concept and Quantification from the Relations between Edition and Format Design
he qing xin

..............page:74-76

Discussing the Resemblances between Chinese Calligraphy and Western Modern Abstract Paintings
liu yang

..............page:71-73

The Cultural Spirit of Chinese Traditional Furniture
zhao ke li

..............page:68-70

Innovation--the Vitality of the Development of the Landscape Painting,Talking about Self-Cultivation and Artistic Creation as well
zhang xue heng

..............page:65-67

Researches on the Basic Color Teaching of Fine Arts in Colleges and Universities
li yong

..............page:62-64

Criticism,Crisis and the Problem of Light Criticism
chen chuan xi

..............page:5-7

Thoughts and the trend of thought
li xiao shan

..............page:8-13

The Rising Desert--Criticism of China's City Construction
nie wei gu

..............page:14-17

The New Concept of "Pen and Ink" in the Teaching Practice of Chinese Paintings
lin yi peng

..............page:18-19

The Concept and the Method of the Art Marketing
ma lin ; xue zhi liang

..............page:20-22

the Research on the Design Culture in Digital Times
peng hong

..............page:23-25

Reflections on the Cultivating Role of the Fine Arts in the Actual Backgrounds
zhang zong ; wang li li

..............page:26-31

Move towards the Great Development of Design Art
qian zheng kun

..............page:32-33

On the Position and Arrangement of Basic Courses in Design Art
dan de lin

..............page:34-36

ZhangZao's "Trees and Stones" and "the Transformation of Landscape Paintings" in the Chinese Painting History
zhang jian jun

..............page:37-39

Sha MengHai's Calligraphy Thoughts and Chinese New Learning in the Early 20th Century
xu qing

..............page:40-43

On the Evolution and Its Cause of the Shapes of Han Graves
yao yi bin

..............page:44-46