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Journal of School Chinese Language and Culture Nanjing Normal University
1008-9853
2016 Issue 1
Trialogue on the Study of Golden Lotus
Ning Zongyi;Shi Zhongyang;Fu Shanming;
..............
page:1-6
sun shu lei : xi qu wen xian yu li lun yan jiu
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page:2
One Will Never Know the Miracle of the World without Reading Golden Lotus
Shi Zhongyang;
..............
page:7-14
The Confusion of Relief: On the Disease and Dreams in Golden Lotus
FU Shan-ming;
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page:15-20
Reading Notes on Eight Fu Proses of the Mediaeval Times
Gu Nong;
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page:21-28
Narrative Space in the Naturalist Miscellany before Tang dynasty
Luo Xin;
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page:29-34
On Bai Juyi’s Writing Poems as Composing Fu
MA Yan;
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page:35-37
The differences Between Bai Juyi and Han Yu’s Literary View on Restoring Ancient Way:From the Competition for Reputation between Bai Juyi and Huangfu Shi to Start
Teng Han-yang;
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page:38-44
Self-Perish and Self-Salvation:A Revolutionary Psychological Reading of the Left-wing Novels in 1930s
Yang Shenggang;
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page:45-49
The Occurrence and Evolution of “New Ballad Style”Poetry in the Left-wing Literature
Li Ruihua;
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page:50-55
An Analysis on the Mode of Traumatic Narrative in the “Scar Literature”of the New Period
Zhang Jinglei;
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page:56-61
Father Worship and Contemporary Fiction
Xu Xiang;Shi Zhijin;
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page:62-66
Crying Out in the Era of “Soul Losing”:The Literary Value and Contemporary Significance of The Yellowbird
Liang Xinjun;
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page:67-72
The Spatialization Turn in Contemporary Western Narrative Theory
Kong Zhen;
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page:73-79
“Great Wisdom in Combined Observation”: The Fusion of Confucianism and Daoism Reflected in Song Hui Zong’s Commentary of Lao Zi
Wan Manlu;
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page:80-85
On the Early Academic Thoughts of the Yangzhou School
Wu Hai;
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page:86-92
xin shi ji 15 nian de wen xue yin ji
bai zuo ;
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page:92
John Millington Synge’s Modern Tragedy Aesthetics: A Study of Riders to the Sea
Li Yuhua;
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page:93-98
The Split Self of the Modern Fools:The Theme of Split Ego in Ship of Fools by Katherine Anne Porter
Wei Yi;
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page:99-105
A New Understanding of Tennessee Williams’ s Family Drama
Yan Weiwei;
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page:106-111
Del’s Independent and Free Road: A Rereading of “The Flats Road”
Zhang Hu;
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page:112-120
hong lou meng zhong man shi han yu yi li
wang bin ;
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page:120
A Differentiation among “Kunshan Tune”,“Kunqu Opera”and “Kunju”:Name Evolution and the Features of Kunqu Opera’s Development
Zhu Jianhua;
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page:121-127
Discussing the Origin of the New Wave of Hong Kong Movie under the Movie-TV Joint Perspective: Centered on the Searching for the “Hong Kong Identity”
Fu Xiao;
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page:128-133
Migration Series: A Possible Type of TV Series in China
Ai Zhijie;
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page:134-139
The Overseas Construction of China Image:Taking China Independent Documentaries in Western Film Festivals as Example
Liu Zhongbo;
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page:140-144
A Discussion on the Study of Western Semantics History
Li Baojia;Liu Hui;
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page:145-156
An Experiment Study on the Tones of Wenzhou Wu Dialect Based on EGG Signal
Liu Lili;
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page:157-165
Verification of “zhi gua”or “zhi zhua”in The History of Southern Qi Dynasty Also a brief Discussion on “jian gua”in The History of Southern Dynasties
Hong Xiaoting;
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page:166-169
A Textual Study of the Word “Wu Gu”
Wang Zhiyong;
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page:170-172
Text of the Repaired Blocks of the Eight-line Zhejiang Edition of Shang Shu Zheng Yi Produced in the Sung and the Yuan Dynasties
Li Lin;
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page:173-179
si mian yuan chuang jiang huo jiang zhu zuo
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page:179
Guo Yu,New Guo Yu and Other Books of Historical Stories
Wu Ge;
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page:180-183
New Compiling of Qian Daxinxin’s Poems and Proses Left Out by His Complete Works
Sun Lizheng;
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page:184-188
chen rui hong : ao si ka wang er de : xian dai xing yu jing zhong de shen mei zhui qiu
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page:189