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Journal of School Chinese Language and Culture Nanjing Normal University
1008-9853
2003 Issue 4
qing ba wen zhang xie de duan yi xie
..............
page:153
wang zun li ji kao zheng
chong hua wen
..............
page:174
song shi ji shi bu zheng xian yi
wu zong hai
..............
page:25
Re-correction of the Passage "Have Lingfen Divine for Me" in Li Sao--Reading Mr Xu Fu's Sequel to Miscellaneous Notes on Reading
yu jun zuo
..............
page:185-188
Some Reflections on Loanwords--with "歹" As the Starting-point
xie dong yuan
..............
page:181-184
Reading The Complete Recordings of Liangshou's Lost Writings--Huang Kan with Zhang Taiyan and Liu Shipei
tang zhi jun
..............
page:175-180
Brief Introduction to 20th-century Bibliography of Ancient Fictions
shi chang yu
..............
page:166-174
Some Slips in Supplement to and Correction of Notes on the Song Poetry
fu zuo zuo ; zhang ru an
..............
page:154-165
Sacrifice and Sacrificial poems
dai yan
..............
page:144-153
Origin of Fu and Connotations of Diplomatic Culture in the Eyes of "Xingren, A Government Official"
xu jie
..............
page:136-143
The Leaning Scales of Moral and Thought--Ideological and Cultural Connotations of Er Yue He's "Emperor Series"
zhang shu heng
..............
page:129-135
A New Genre in Historical Fictions Co-moulded by Academic Narrative and Lyrical Recountal--with Zhang Chengzhi's History of the Soul As An Individual Case
huang zhong shun
..............
page:123-128
Enlightenment from "the Four Spectacular Books" of the Ming Dynasty
wang shao zuo
..............
page:117-122
Meditations on Cai Dongfan's Historical Romance
er yue he
..............
page:113-116
Logical Framework and Academic Vision--Reading Main Trends of Chinese Fictions in the New Era Chief-edited by Xu Zhiying and Ding Fan
wang da min
..............
page:110-112
Story Context in Contemporary Fictions
nan xiang
..............
page:103-109
Guo Moruo and His Political Mentality in the "Seventeen Years"
wang jie
..............
page:98-102
Synthesization of "Pure Poetry" and the 1940s
zhang jie yu
..............
page:93-97
Defense of Position and Narrative Innovation--Sense of Genre of Reportage Writers in the 20th Century
wang zuo
..............
page:87-92
Professionalization of TV Channels Is Imperative
peng ji xiang
..............
page:83-86
Chinese Movies: Selection of the Path of Industrialization and Re-construction of Values--with Some of the Prize-winners after Entry into WTO As the Starting-point
jia ji chuan
..............
page:79-82
A Summery of the Discussions on "Nationalization of Movies" in the New Era
wang li juan
..............
page:74-78
A Summery of Chinese Movies in the New Era
yuan yu qin ; zhang zuo
..............
page:70-73
Grace-and-Vigor:Aesthetic Model of Classical Art
hu jing zhi ; li jian
..............
page:1-12
The Pursuit of Ideal and Poetic Art in Xie Fei's Film-making
zhou xing
..............
page:65-69
Undulating between Movie and Drama--Logical Evolution of the Series Based on The Story of the Red Lamp
xie bai liang
..............
page:56-64
Audience As A Different Role in Movie Narratives
jia lei lei
..............
page:49-55
Re-understanding Characteristics of Movies
shen yi zhen
..............
page:43-48
Some Humble Opinions on Art Studies on the Network
huang ming fen
..............
page:35-42
Jameson Is Not A Post-modernist--Brief Comments on Jameson's Basic Academic Stand
zhu li yuan ; wang wen ying
..............
page:26-34
Characteristics of the Academic History of the Qing poetics
jiang yin
..............
page:13-25