Friend of Chinese5 Fine Arts 2016 Issue 3 The 9th International Ink Art Biennale of Shenzhen & the 8th Shenzhen Forum for Ink Art Unveiled in Shenzhen

The 9th International Ink Art Biennale of Shenzhen & the 8th Shenzhen Forum for Ink Art Unveiled in Shenzhen
ben kan bian ji bu ;

..............page:7-19

“Venice and the Venetian School” Exhibition Opens at
ben kan bian ji bu ;

..............page:20-21

“Beautiful Xiamen” Contemporary Art Works Beijing Show Opens at NAMOC
ben kan bian ji bu ;

..............page:22-25

Report to the People - “Deeply Rooted in Life and People” Contemporary 15 Artists Work Itinerant Exhibition Unveiled in Guangzhou
yang xiao ling ;

..............page:26-27

“New Silk Road Journey - Chinese Renowned Artists Works Exhibition”Opens at Yiwu International Expo Centre
sun xiao zuo ;

..............page:28-31

Trace of Journey and Ink--The Collection of Zhang Yan’s Landscape Paintings
ben kan bian ji bu ;

..............page:32-33

"Face Shaped by the Heart - Art Exhibition of Yao Mingjing" Unveiled at NAMOC
fan di an ;

..............page:34-37

Opening Ceremony of “The great Way Prevails - Selected Artworks Exhibition of Zhang Guoxing’s Traditional Chinese Paintings” Touring in Shenzhen
ben kan bian ji bu ;

..............page:38-38

Silk Road and the World’s Civilizations --Preparation for the 7th Beijing International Art Biennale, China, 2017 Launches
ben kan bian ji bu ;

..............page:39-39

A Brand New Three-Dimensional World--Digital Handicrafts vs. Traditional Handicrafts
yu lei ;

..............page:40-44

A Brief Discussion on Advantages of Three-Dimensional Printing in Digital Artistic Creation
liu zhong yuan ;

..............page:45-48

Three-Dimensional Printing’s Deep Participation in Sculpture Creation
cheng da peng ;

..............page:49-51

yi zhong quan xin de yi shu chuang zuo fang fa
xu wei guo ;

..............page:52-52,53

wo men reng ran shi kai tuo zhe wo men reng ran shi kai tuo zhe
zhang hua ;

..............page:52-53,54

3d da yin you lie shi zhi wo jian
wang chang xing ;

..............page:53-53,54

guan yu san wei da yin de si kao
shi liang ;

..............page:54-54

3d da yin ji shu zai yi shu zhong de ying yong yu si kao
wei yi ;

..............page:55-55

Unnoticeable Miracle outside Painting Circle-- On Li Shaowen’s Painting
ke wen hui ;

..............page:57-65

On Li Shaowen’s Painting
fan di an ;

..............page:66-67

Wang Shaojun and His Painting
su xin ping ;

..............page:68-69

New Understanding of Chinese Landscape Oil Painting
wang hai jun ;

..............page:70-73

Cross-media Practices and Experimental Art Education
guan huai bin ;

..............page:74-81

Artist Li Fulai and Panorama Creation
zuo yang ;

..............page:82-83

My Mentor - Artist Li Fulai
li wu ;

..............page:84-84

My Teacher Li Fulai
you jin dong ;

..............page:85-86

Recollections on My Mentor Li Fulai
liu kong xi ;

..............page:86-87

Recollections On My Greatly Respected Teacher Li Fulai
chen xiao wen ;

..............page:88-88

On My Greatly Respected Teacher Li Fulai Teaching Me Sketch
chang hong ;

..............page:89-89

Architecture of Sanqing Hall of Yongle Palace and Pan Dechong’s Murals
zhao wei ;

..............page:90-94

Emperor’s Natural History Drawings--A Research into Album of Birds and Album of Beasts by Yu Sheng and Zhang Weibang
yu wen zuo ;

..............page:95-100

On Ni Zan’s Yuan Dynasty Theater and
zhao zhen ;

..............page:101-105

From “Drafting”, “Site Investigation” to “Three Distances”, “Perspectives”--On Scientific Technology and Emotion Elasticity in Space Construction of Chinese Landscape Painting
zheng zhi gang ;

..............page:106-108

A Study of Tourism Product Design Based on Perspective of Chaoshan Cultural Creation
tan jing ;

..............page:109-111

On Public Art Inducts and Audience Interpretation
chen gang ;

..............page:111-112

Traces of Folk Crafts Thought and Folk Crafts Movements
zhao yun chuan ;

..............page:113-115

Passing on the Heritage--A Review of Oil Painting Masters Combining Eastern and Western Elements
zhang liu feng ;

..............page:116-117

Words in Painting (I)
zhang sen ;

..............page:118-119

On Artistic Characteristics of Print Illustration in Ukiyo-e Outlaws of the Marsh
zhang zuo ;

..............page:120-121

On New Luxury Concept “Learning from Nature” Expressed in Ecological Jewelry
du bo ;, wang man zuo ;

..............page:122-123

An Exquisite Album of Painting Launches-- On the Editing and Publishing of The Complete Foreign Prints in the Collection of Lu Xun
li yun jing ;

..............page:124-125

The Complete Foreign Prints in the Collection of Lu Xun, a Significant Literature of Prints History
wang wei yi ;

..............page:126-129

On Creation of "Gezhi" in Traditional Chinese Flower-and-Bird Painting
zhang dong hua ;

..............page:130-131

An Introduction to Album of Ren Bonian’s Figure Paintings Collected by
wang xue feng ;

..............page:132-135

The Creation and Collection Trend of Oil Painting in the period of Republic of China
wang ji xiang ;

..............page:136-139

Spring Dreams Leaves No Traces--The Forecast and Analysis on Conditions of Spring Auctions in 2016 Chinese Calligraphy and Painting Market
yin su qiao ;

..............page:140-143

French Modern and Contemporary Fine Arts (Ⅵ) -- The First Half of the 20th Century
wang rui ;

..............page:144-151

Secluded Residence of Palace--A Brief Introduction to European Paintings in the State Hermitage Museum
liu peng ;

..............page:152-157

Lieko Shiga - On Real Needs--To Start from Her Photobook Rasen Kaigan
chen zhen ;

..............page:158-160