Friend of Chinese5 Fine Arts 2014 Issue 2 The inheritance and creation of calligraphy

The inheritance and creation of calligraphy
lin yang ;

..............page:7-9

The spiritual realm and pursuit of calligraphy
luo yang ;

..............page:10-11

Black-and-white--several considerations on the status of calligraphy circles
zhang rui tian ;

..............page:12-14

From the standpoint of the masterpiece--thinking on the differences of creative mind of calligraphy between ancient and modern times
shang xiao zhou ;

..............page:15-16

Strange phenomena that have not been seen for thousands of years in Chinese calligraphy circles
zuo san gui ;

..............page:17-18

The academic location of the calligraphic style and calligraphic culture of two famous calligraphers (Wang Xizhi and Wang Xianzhi)
zeng xiang ;

..............page:19-21

Comment on the standard and the essence of calligraphy
gu zheng yu ;

..............page:22-23

Excellent artworks are displayed for Chinese New Year--paintings are selected from“The National Excellent Artistic Exhibition of the Tenth Chinese Art Festival”
ben kan bian ji bu ;

..............page:24-27

“ChiFra 2013 Sino-French Art Exhibition”relfect artistic exchange between China and France
ben kan bian ji bu ;

..............page:28-31

The great land--Art Exhibition of Zhang Daqian
ben kan bian ji bu ;

..............page:32-35

Showing the transparent glassware to people--The First Hangzhou International Triennial Exhibition of Contemporary Glass Art
ben kan bian ji bu ;

..............page:36-37

Making sculptures to worship ghosts--the postscript of making the large-scale group sculptures the Memorial Hall of the Victims in Nanjing Massacre by Japanese Invaders
wu wei shan ;

..............page:38-41

Sowing the seed of love and spreading the culture--volunteer service project of literary training of the Chinese Federation of Literary and Art Circles. Impressions on the second phase of the ifne arts training class of the China Artists Association in Bazhong
yang ping ;

..............page:42-43

Delivering happiness and warm to basic units by painting--stories about delivering happiness to basic units in Zhoushan to realize“our Chinese dream”
cao fan ;

..............page:44-44

yi xun ju jiao

..............page:45-47

If souls truly exist, this song of triumph will have not the end--cherishing the memory of the professor Wang Xuezhong
zhang hai ;

..............page:49-53

Artists should have superb skills, put their heart and soul into work and understand about the truth correctly in the road of art--the interview of Professor Wang Xuezhong of the Tianjin University

..............page:54-60

The independent character and aesthetic seeking--the painting art of Yang Mingyi
shao da zuo ;

..............page:60-67

The heart of painters contains everything under the sun, the picture of painters records the rise and fall of the history of several thousand years--commenting on the burnt ink ifgure painting of Yin Huili
zhao pan chao ;

..............page:68-73

Getting to the happy side in dream--the realm of painting of Yao Mingjing
fan di an ;

..............page:74-79

Showing the hidden human body--the Chinese primitive art of nude
yang xi fa ;

..............page:80-86

From block print teaching to teaching experiments
li fan ;

..............page:86-93

The collection and appreciation of emperor Qianlong
zheng xin zuo ;

..............page:94-97

The heavy-coloured life of Liu Haisu
tang xue cun ;, xin qin ;

..............page:98-103

Researching into the spiritual connotation of Chinese freehand brushwork
liu xue zhi ;

..............page:104-106

The process of the Russian Constructivism in modern design movement
gao zuo ;

..............page:107-109

On cultivating the humanism quality of students with the traditional folks arts in Chaoshan district
deng liang sheng ;

..............page:109-111

On the beauty of ifshing and hunting tools used in the ifshing activity called“NaBo in spring”of Nomads--taking the winter ifshing activity in Chagan lake of Qianguo'erluosi Mongolian Autonomous County as an example
deng jia li ;

..............page:111-112

Thinking on the phenomenon of using photos to participate in the ifrst round of judging of exhibition of oil paintings
pan zi feng ;

..............page:113-114

Searching all over wonderful peaks--on the spirit of sketch from nature in painting process of Shi Tao and several artists of Xin an branches in Chinese painting
chen ke yi ;

..............page:115-116

Analysis of the art in oil paintings of Bai Ying of Oroqen painters
zhang yang ;

..............page:117-118

Analysis of the tension mode of image graphics
yang hui lai ;

..............page:119-120

The real theory of the editor
huo jing yu ;

..............page:121-122

The art of money
bai jin guang ;

..............page:123-126

The study of underwear culture--taking the Pursuing the Unworldly Style by Using Lotuses and Cymbidia to make Clothes--Chinese and Western Culture of Underwear as an example
pan jian hua ;

..............page:127-129

The postscript of The Painting Skills of Six Fat Men
xu yong lin ;

..............page:130-133

The image of pre-historic times and sculptures of the Qin Dynasty--comment on Complete Works of the Chinese Tomb Sculpture (From Pre-historic times to the Qin Dynasty)
zhang hong ;

..............page:134-137

The stabilization and recovery of Chinese market of auction of cultural relics and art works--commentary on 2013 auction companies of cultural relics and art works
zhao yu ;

..............page:138-142

Observation of the auction of sundry Items of Chinese porcelains
zhang xiu juan ;

..............page:143-143

The history and culture of collection (VII)--we seek a kind of spiritual strength from collecting classic antiquities--jade collection
ma wei du ;

..............page:144-147

Italian Renaissance (VI)--colorful ending:the pluralism and pre-baroque period
wu xiao lei ;

..............page:148-155

Moving visual feast--The charm of the Pompidou Center
liu peng ;

..............page:156-160