Friend of Chinese5 Fine Arts 2014 Issue 1 Art ifnance is in urgent need of rational and policy construction

Art ifnance is in urgent need of rational and policy construction
wei peng ju ;

..............page:7-8

Savage growth of Chinese art ifnance
ma jian ;

..............page:9-10

Rethinking on artworks ifnancialization
peng zhong tian ;

..............page:10-11

Key functions of ifnance in artworks industry chain
xu yong bin ;

..............page:12-13

Investment model of artworks at corporate perspective
chen shao feng ;

..............page:13-14

The legal control of identiifcation risk in artworks ifnance and its limits
liu shuang zhou ;

..............page:15-16

Valuation Dilemma in artworks ifnancializaiton
liu xiao dan ;

..............page:16-17

Draw for the people and paint for the era Compose a new chapter for China’s art cause--grand opening of the Eighth National Congress of the Chinese Artists Association in Beijing
hao bin ;

..............page:18-21

To see Louvre museum treasures at National Museum of China--“Mediterranean Civilization--Selected Cultural Relics in the Collection of the Louvre Museum of France”exhibition
ben kan bian ji bu ;

..............page:22-23

The National Museum of China observes the grand opening of“Rubens, Van Dyck and Florentine schools of painting--Liechtenstein's royal collection exhibition”
ben kan bian ji bu ;

..............page:24-25

To inherit innovation, advocate pluralistic and accumulate classic--the National Art Museum of China observes the grand opening of“Shanghai Art Exhibition in Beijing”
ben kan bian ji bu ;

..............page:26-31

Pure thick humanities--Zhong Han Art Exibition
ben kan bian ji bu ;

..............page:32-33

“Claborate-style in contemporary world--The Ninth Chinese Claborate-style Painting Exhibition”opens a new era of contemporary Chinese claborate-style painting arts
zhong guo gong bi hua xue hui ;

..............page:34-41

To celebrate the 95 anniversary of the founding of Central Academy of Fine Arts--opening of “CAFA Teachers’ Creative Work Exhibition”
ben kan bian ji bu ;

..............page:42-45

“The Southern Dream--10-year Scenery of the South”Large-scale landscape painting exhibition was observed opening in Beijing
ben kan bian ji bu ;

..............page:46-47

zhan lan

..............page:48-51

The pioneer of the new China ifne arts publishing cause--memorizing Sa Kongliao, the ifrst president of People's Fine Arts Publishing House
lin yang ;

..............page:53-57

Relieve the dilemma between image and meaning--On the meaning of ink and wash painting of Liu Zhenxia’s works
zheng gong ;

..............page:58-65

Chinese Spirit
liu da wei ;

..............page:66-68

The arts exploration of Xu Li
zhan jian jun ;

..............page:69-73

Cui Jian:Achieve Sublimation through Self-effort
fan di an ;

..............page:74-79

Shao Pu:the Poetic Ink
liang jiang ;

..............page:80-85

On the Creation Rules of Chinese Painting

..............page:86-89

Brief introduction of visual manner--the application of visual experience in teaching practice
zuo jian an ;

..............page:90-99

Two schools of painting and a biased view on the school of paitings--On Zhou Jiyin’s“Theory of Chinese Painting”
ma hong zeng ;

..............page:100-105

Copy and recreate with heart and soul, Exquisite copy technique (Vol. 2)--On the replication of“Dwelling in the Fuchun Mountains”
lv wen ;

..............page:106-112

Humble opinion on Liu Guan calligraphy
ni xu qian ;

..............page:113-115

The size of the picture and the effect of the painting
pan feng quan ;

..............page:116-117

The mainstay of Japan's modern arts and crafts--art crafters--From“rural”crafters to“avant-garde”crafters
zhao yun chuan ;

..............page:118-121

Chinese art aesthetic meaning in“The Most Beautiful Books”--set"the Most Beautiful Book in China"(art) as an example
shi pan ;

..............page:122-125

The application of Chinese elements in modern web design
wang ping ;

..............page:126-128

How to cultivate the art education concept of aesthetic function and aesthetic taste
hou xue sen ;

..............page:128-129

Copy the master pieces of generations, and savor the sentiments of the masters--famous paintings series“Models for Calligraphy and Painting”
song zheng wei ;

..............page:130-134

Exotic and romantic artistic creation--Afterword on“A History of Chu Calligraphy”
xiong jing ;

..............page:135-137

If I am willing to follow--On“Travel with Lines”
wang zuo ;

..............page:138-139

Current situation and pattern of Chinese artworks pledge ifnancing
xi zuo ;

..............page:140-143

New strategy on the development of contemporary mural under the new economic situation
zuo hong ;

..............page:144-145

Collect history and culture (VI)--jade, a symbol of credit and destiny--jade wares of Xia, Shang and Western Zhou Dynasties
ma wei du ;

..............page:146-149

Italian Renaissance (V)--the era of Michelangelo and Titian
wu xiao lei ;

..............page:150-157

War and fantasy--the block print world of Francisco Goya
wang rui ;

..............page:158-159

ke jian zhi shi -- zhong guo you hua feng jing zuo pin zhan zheng gao qi shi

..............page:160-160