Art Panorama 2009 Issue 1 The Individuality and Aim of Design

The Individuality and Aim of Design
wang hua wei ; feng wei yi

..............page:97

Basic Principles for Design Expression
liu fan

..............page:98

The Effect of European Painting on Contemporary Western Illustration
wang zuo

..............page:56

Forgotten Henrv van de Velde-An Arduous Pioneer
hu lan ling

..............page:55

Imagery and Emotionality of the Religious Painting in Renaissance
shang duan wu ; chen zhu

..............page:54

Bauhaus Style
zhou yan mu

..............page:53

The Formal Vocabulary of Drawing
wang li ke

..............page:174

Reflections, Individuality and Originality-Watercolor Technique and Creation
xie ning ning

..............page:173

Tao Yuanming's Esthetic Idea in Landscape Design for Modern Agricul-tural Tourism
chen jing

..............page:172

Children Drawing-the Representation of Primitive Thinking
zhao fang

..............page:171

The Cultural Meaning of Tibetan Patterns
zhang xiao bing

..............page:170

The Making of Panel Ceiling with Wood Supporting Structure
chen jie

..............page:169

Auto Form Design and National Elements
wang cheng ; chen feng

..............page:168

Right Way of Observing Is Vital to Improving DrawingSkills
liu bao lin

..............page:167

The Characteristics of Subjective and Objective Interaction in Digital Esthetics
xie hui

..............page:166

Directions of Chinese Film and TV Development
wang da peng

..............page:76

Profound Implication-Concepts for Displaying Art in Modern Interior Space
qi rui wen ; jin wei ; xu min

..............page:75

The Meaning of Waterscape in Suzhou Gardens
xu zuo zuo ; zhong zhao rong

..............page:74

The Effect of Color on Emotions
he zuo

..............page:72

Image Beauty in Animation
chen wei

..............page:165

Women Fashion in Ancient Poems
liu jian feng

..............page:164

Thoughts on Ink Figure Painting From Life
zhang wei

..............page:163

Image Oil Painting
zhang qing feng

..............page:162

How to US the Decorative Pattern in Graphic Design
he jin chuan

..............page:160

Xin Dongwang's Life and Art
shao shi de

..............page:80

‘Oriental Complex'of Post Impressionism
sun da li

..............page:78

The Beautiful Ink of Shitao's Landscape
qiu hao dao

..............page:32

Jade Patterns in Spring-and-Autumn and Warring-States Periods
zhang hai hong

..............page:30

shi lun shi jue yi shu yu min zu wen hua de guan xi
ji le

..............page:29

Abstract Painting
sun han ying ; sun yu de

..............page:28

Facial Makeup in Chinese Opera and Traditional Chinese Culture
yu zuo

..............page:71

A Study of Informative Forms of the Chinese Character
zeng zuo

..............page:70

Reflections on Chinese Feminine Art
zhou dan

..............page:68

Traditional Chinese Ideas of Modeling and Modern Chinese Type
liu juan

..............page:100

The Development of Traditional Bedding Forms in the New Age
cai wei zuo

..............page:101

Ad Images and Sense of Social Identity
lei hai tao ; shang duan wu

..............page:102

Issues in the Modern Development of Yuezhou CeraInics
zhao ying ; wang jia min

..............page:67

Research on the Popularny of Chariot Images in Han-period Stone Reliefs
ma li hua

..............page:66

Figure's Ornaments in Zhuxianzhen New Year's Wood Block Prints
ma yu shan

..............page:64

A Look at theAuthor of ‘The Quality and Style of Painting'
tang chao zuo

..............page:63

The Charm of San Shi Pan
gao zuo

..............page:62

Dang Tiancai's Watercolor
feng min sheng

..............page:60

Truth and Beauty in Art
yang zuo

..............page:58

Shandong Culture's Impact on the Subjects of Yangjiabu New Year's Wood Block Prints
zhao zuo di

..............page:26

‘Objective Representation' and ‘Subjective Expression' in Painting
ren cheng da

..............page:24

Conceptual Art
sun fan

..............page:23

The Confusing Meaning of Post Modern Art
yao hui rong

..............page:22

The Linear Law of Ancient Figure Painting and Its Effect on Chinese Painting
li yan

..............page:21

Lifelike Scenery Unforgettable Except for Ink -‘Ink and Brush' of ‘Technique of Painting' by Jing Hao
yu li yan

..............page:20

Taoist Ideas in Zhu Da's Painting
zhou xiao jun

..............page:17

Ni Zan's Pure and Simpie Style
fang zuo

..............page:16

Tnternal Principles for Dong Qichang's Esthetic Ideas of Individual Painting
zhou wen bin

..............page:14

The Mood-creating Manner of Chinese Painting
luo lin

..............page:12

Creating Mood with Implication and Learning from Nature
an jun

..............page:10

Purification and Alienatinn of Fine Brushwork Vocabulary
lu dong

..............page:9

The Emergence of ‘Likeness' and ‘Spirit' Esthetics in Chinese Painting
wu jia yue

..............page:18

Internet Ads and Color Saturation
geng yang ; peng ling ling

..............page:120

Individual Packaging and Information Age
wu rang hong

..............page:122

Blank Space in Graphic Design
huang hong lan

..............page:124

Decorativeness and Uniqueness of Hand-painted Costumes
wu qi hua

..............page:125

The Eeeect of Traditional Ausoicious Patterns on Logos
lu zong ye

..............page:126

Developing the Sense of Color in Color Instruction
yi da sai

..............page:144

Reflections on 2-D Construction Course
sheng zhen

..............page:145

The Effect of Core Elements of Campus Culture on Site-specific-Sculpture in Schools
li ming chao

..............page:146

College Courses on Creative Design
wang hong

..............page:148

How to Realize the Teaching Aim in Practicing as Someone's Substitute
chen zuo qiang

..............page:150

Higher Art Education and Folk Art
zhang rui bo

..............page:152

Jean Francois Millet and His Influence
niu lu jun

..............page:52

The Harmony of Greek Figure Sculpture
peng dong mei

..............page:50

Ever-lasting Delicate Beauty-Albrecht Düre r's Woodcut
peng wei

..............page:49

Modern Ink Painting and New Literati Painting and Its Origin
feng xing bao

..............page:185

Formal Tension of Figurative Drawing
hu wen zuo

..............page:184

The Practical Form of the Song-period Ceramic Pillows
fang li

..............page:182

Huo Qubing and the Symbolic Meaning of His Stone Statue
qi zi min

..............page:181

Chinese Painting-Simplicity of Ink
liu zuo guo

..............page:180

Analysis of the Figure in Qilingang Han-period Stone Reliefs in Nanyang
huang fen

..............page:178

Art and Happiness
lin jing lu

..............page:176

Xin Dongwang and Chaoge's Works Reflecting ‘Culturlal Spirit'in Contemporary Oils
li ming lou

..............page:175

The Design Conception for Xinning Ancient Town in Changle
lin tao

..............page:127

Custom-made Couture Design and Its Developments
cao chao zuo ; guo jian nan

..............page:104

Color in Urban Landscape Design
gao he

..............page:105

Culture Interest and Modern Design
meng kai ning

..............page:106

olor Scheme in Commercial Space
zhao hui ying

..............page:107

The Naturanless of Villas with Waterscape
zhou xiao ru

..............page:108

Clay Model in the Making of Industrial Design Moulds
zheng jian qi ; zeng xiang yuan

..............page:110

Visual Flow in Web Page Design
zhou jie

..............page:111

From Corporate Identity to Brand Name Value
zhang lei ; chen xing

..............page:112

Color Schem for Animation
chen li ye

..............page:113

The Impact of Social Circumstances on Design Behavior
ma jia bo

..............page:114

Group Culture in Furniture Design
zuo wei jie ; zou xiao song

..............page:115

Chinese Elements in the Beijing Olympics and the Color of Chinese ‘Five Elements'
xie shi guang

..............page:116

Perception-based Design for the Eiderly Products
zuo wei tao

..............page:118

Frank Lloyd Wright's Interior Design Style and Art Nouveau
jie lun

..............page:119

Successful Mode of Changing Technological Achievements into Production in US Colleges
wu xiao hua

..............page:138

The Reform of HVC Environmental Design Program
jiang

..............page:140

A Survey of Public Art Education
wang zeng

..............page:141

Strategies for Implementing University Identity System
wang wei ding

..............page:142

Ceramic Decoration in Architectural Environment
wang zhan ; ma yun

..............page:128

The Current state and Reform of Instruction in Decorative Woodwork Practice
wang bin

..............page:153

Practice and Study in the Egtablishment of 'Our Wujiang' Ficld Training Base
yu ji ping

..............page:154

The Reform of Digital Design-related Courses and Their Practice
chen feng ; wang cheng

..............page:156

Refletions on Design-related Drawing Instruction
guo dian sheng

..............page:157

Attempt at the Teacher-studeng Assessment of the Studem's Assignments
zhang fang

..............page:158

Training High-level Designers Catering to the Market
fang ke jia

..............page:186

A Complemenlary Study of Painting-oriented and Design-oriented Drawings
zhang xiao ou

..............page:187