Art Panorama 2008 Issue 12 Man's Harmony with Nature and Re-creation of Natrue

Man's Harmony with Nature and Re-creation of Natrue
zhou jian guo

..............page:9

Wen Bei's Post-modern 'Ink Painting and Calligraphy
cao tian quan

..............page:32

A Leader in the Transition from Traditional to Modern
yang wei hua

..............page:34

The Making of Steel’-Ways of Preserving the Site of 'The Hanyang Arsenal
zhao meng

..............page:64

The Artisto's ldeology Works on Creation
ren xue xia

..............page:63

The Formation of Esthetic Consciousness in the Artist
chen zuo

..............page:62

Perceptibility and Expressiveness of Color
wei kai ; xu jie

..............page:61

Re looking at the Features of Primitive Art
fang feng nian

..............page:60

The Present and Past Images of Farmers in Chinese Realist Oil Painting
mo ming

..............page:30

The Decoding of Printmaking in the Western Xia-Dynasty Buddhism
lei zhi yuan ; mu qing teng

..............page:28

Summary of the Printmaking Studio——Ink for Color Etching
ye meng

..............page:26

The Impact of Etching on Qing-period Royal Woodcut
peng wei

..............page:25

Beyond the Real Space Art
shang fu

..............page:185

Ingenuity:the Crcative Spirit of Art Making
han xue song

..............page:184

Images in Artwork
yang yi bi

..............page:186

Beasts’ Face Patterns and Taotie Patterus
you jing lin

..............page:188

The Regional Quality of Landscape Painting
zhang xian ying

..............page:190

'Witness'Yu Hong
xu jun

..............page:191

Audio-visual Esthetics in Animation
wei zuo

..............page:192

Subjects of Animation Scripts
lin jin xian

..............page:193

A Fair ,a Beautiful Dream——Appreciation of the Animated Film 'The Stormy Night’
luo liang

..............page:194

The Development and Value of the Gaomi Charcoal New Year’s Painting
ge han qing ; ou yang ju bo

..............page:195

Design for Indoor Environment
wang lin

..............page:198

Landscape Planning for Tourist-type Villages –- the Baiyun Village as a Case
wang yue ; li zuo jun

..............page:216

One-hudred-year Che E Lou-Stone and Wood Carvint in Southwest China
pan pan

..............page:217

Barrier-free Design for Sign Board
huang fang

..............page:218

Spring Festival Door Decorations of Traditional Chinese Houses
sun ya feng

..............page:219

The Zhujiang River-a Hot Tourist Spot in Guangzhou
li zuo ; mei wen bing

..............page:220

Cultivating the Citizen's Subjective Awareness through Public Art
gu zuo

..............page:221

Road Sign System in Urban Visual Culture
song ji rong ; chen yan ; zuo hui

..............page:222

Teacheng Method for the Model Building Class
liu chang ying

..............page:224

The 'Cao-style Garment Lines'
zhou wen zuo

..............page:200

Artistic Images in St. Ignatius Cathedral, Ziccawei, Shanghai
xu chun

..............page:182

Random Thoughts on Art Education
zhi lin

..............page:181

The Esthetic Meaning of Lines in Painting
gao yan fei

..............page:80

The Impact of Traditional Philosophy on Color Esthetics in Chinese Painting
wei xiao jian

..............page:78

Analysis of the Portrait of Tao Yuanming
zhang lei

..............page:76

New Conception of Exhibition Design in a Digital Museum
huang qiu ye ; ye ping

..............page:74

The Non-physical Value of Taohuawu New Year’s Woodcut in Suzhou
cheng ying

..............page:72

Inheritance and Development of Huizhou School Decoration
zheng qian li ; huang kai

..............page:70

Feng Zikai: A Naturally Noble Way
wu gu huai

..............page:68

Compensation in the Form of Esthetics
peng bao yu

..............page:67

The Practicality of Scientific Color System
yu zuo

..............page:66

The Modernity of the 17th Century Dutch Painting
cui ke

..............page:202

Pattern and Sign-the Impact of Primitive Art on Modern Art
cui yu qin

..............page:203

A Look at Chinese Ghost Picture Development through the Hunan Folk
gu li min

..............page:204

The Fusion of Life, Emotions, Intellect and Images
luo jian jun

..............page:206

Inheritance of the Xuzhou Han-dynasty Cultures and an Extensive Study of Its Visual Communications
yao jun zhou

..............page:208

Heotel Entrance——a Special Urban Sight
wang jun

..............page:210

The Historical Mission of Contemporary Chinese Mural Artists
gao xue

..............page:212

Clashes between Ideas and Reality——the Effect of Traditional Ethics on the Mass Production of Craftwork
li ya ri ; lu li juan

..............page:214

Precautions against Quake and Devising Strategies for Harmony
li chun

..............page:196

The Place of the Chu State's Painting in Chinese Art History
li wei wei

..............page:24

Chinese Painting Colophons Where Esthetics Lies
li ming

..............page:22

The Spread of Oil Painting in China
ma chuan jing ; hou ji ming

..............page:20

Loquats Ripens in Hot June -He Zi's Flower and Bird Painting
li rui wen

..............page:19

From the Shanghai School to the New Zejeang School the Change of Lu Yifei's Style of Flower and Bird Painting
ge lin

..............page:18

Correcting the Annotations of Northern-period Guo Xi's 'Four Methods'
zhao jian zhong

..............page:16

Zhand Yanyuan's 'Naturalness'
zou chang feng ; liu dao zuo ; wen yun feng

..............page:14

Quiet and Meaningful Ink Painting——Black' and 'White' in Chinese Landscape
gao jin yu

..............page:12

Difference and Similarity in Chinese and Western Painting Ideas——the Beauty of Lin Fengmian's Artistic Mixture
zheng chun quan

..............page:10

Hou Beiron's Art World
zhao zong gai

..............page:36

Logo and Graphic 'Closing' Compositional principle
zhao shao li

..............page:225

Diversified Developments in Promotional Packaging
wu yong jian

..............page:112

How to Emphasize the Most Valuable in Packaging
wen jin yun

..............page:113

The Features of Thinking in Terms of the Internet Advertising
xia bing ; su yi min

..............page:114

Ways to Creatc Patterns
xiang chun fang

..............page:116

Tradition and Modernism——Embroidery in the Past and Present
lei guang ; zhang ning ning

..............page:117

Analysis of Decoration Materials Technology Application in Environmental Art and Design
hu cheng hua

..............page:118

Popular Platform for Design——Fairs
zhong yan tao

..............page:120

Color in Dress Design and Matching
zeng zuo ying

..............page:122

Modernity Missing in the Color of Chinese Oil Painting
jin dan

..............page:226

The Textual Research on Han-period Costume
peng zuo le

..............page:228

Life Ink Painting from Persons
hui jian

..............page:230

Neo-classicistic Elements in Interior Design
wang xiao zhang

..............page:232

Color-the 'New Cover'of Design
xu lei ; xu zuo zuo

..............page:234

Features of the Layout for Ancient Southern Chinese Gardens
wang zuo

..............page:235

Textual Research on the Content of Ren Xiong's 'Thatched House on the Lake'
pu jun

..............page:236

My View about Van Gogh’s Style
li hong

..............page:237

Eco Issues in Landscape Art
li yu yu

..............page:238

Decomposing Nature and Re-constructing a Context——Establishing the System of Oil Vocabulary
zhang qing feng

..............page:240

The Concept 'Extent'and Chinese Watercolor
chen gen xiong

..............page:241

The Qingtian Stone Carving’s Tradition
li de sheng

..............page:242

zao qi shang hai feng jing you hua zhong " xian dai pai " de tan suo
wang zhuo ran

..............page:244

The Emotionality of Mary Crosse's Art
wang chi ; di nuo gao ding

..............page:49

Studying Material in Terms of Europcan Murals
qu le le ; lin jian ye ; wang ju ; li bo

..............page:50

Who Did the Earliest Self-Portrait
zhang jian yong

..............page:52

The 19th Century French Realist Painting
zhang ji chao

..............page:53

The Impact of New Technology——Photography and Painting
zhou zuo

..............page:54

Ever-lasting 'Tamboura’——Central Asian Art Since the End of the 20th Century
liu wen bin

..............page:56

An Understanding of French Impressionism
lin xin

..............page:58

The Meaningful Symbolism and Metaphor in Modern Architecture
zhang wei

..............page:97

Traditional Chinese Patterns and Chinese Visual Design
li ai hong

..............page:98

Culture –based Modern Exhibition Design
qian bi hong ; li ke cheng

..............page:100

The Technical side of Oil Painting Instruction
zhou yu

..............page:166

Thoughts on Higher Industrial Design Education in the New Age
he yan zuo

..............page:167

The Orientation of Private College Design Program
he zuo ; sun xian

..............page:168

Ways of Cooperation between HVC and Business
cao jun

..............page:170

Multi-abilities-oriented Drawing Instruction
xu zheng ren

..............page:172

Practice in VI for 'Nongjiale' and Relevant Thoughts
chen min xin ; xu jin you

..............page:174

Thoughts on the Popularity of Design Programs in Colleges
huang si yang

..............page:176

li gong ke yuan xiao yi shu lei ben ke zhuan ye jiao xue zhi liang ping jia ti xi yan jiu
gao bi zheng ; lu feng ru ; lei chao zuo

..............page:178

Developing the Student's Creativity through Teaching Decorative Line Drawing
dong shun wei

..............page:180

Chinese Characters in the Poster
xu li

..............page:102

The Impact of Texture on Text in the Poster
lei guang ; wang hui

..............page:103

2-D Advertising Media and Its Expressive Stategies
luo

..............page:104

Daily 'Vogue'in Design
zuo jia

..............page:105

The Unique in Book Design——Gift Book Design Study
chen xing

..............page:106

Children's Game Spirit and Children's Book Design
wu yan

..............page:108

Traditional Decorative Patterns in Modern Packaging
hao xiu mei

..............page:109

Landscape Design for the Housing Development
peng zuo ; zhang xing

..............page:110

Developing the Curriculum for Design Education
huang jin fa ; you jia dan

..............page:150

How to Train All-round Animation Designers
li zuo

..............page:151

Reflections on Photoshop Instruction
sun fei

..............page:152

The Reform of Fast-designed Piece Course for the Landscape Design Major
han rong ; wang yan

..............page:153

Form Construction Course for the Internet Communication Major
li jin

..............page:154

Course Design for the HVC Advertising Design and Production Major
tan dian

..............page:155

Trend in the Development of College Students’ Arts Organizations
peng

..............page:156

Task-based Teaching Method in Art Connoisseurship Courses
nie ying

..............page:158

The Impact of the Internet on Chinese Design Education
zhang si wang

..............page:160

The Reform of Animation Curriculum and the Quality of Vocational Education
li cheng chang

..............page:162

Thoughts on the Humanities in HVC Art Design Education
yang fan

..............page:163

Thoughts on Modern Design Education
wang wei

..............page:164

Ceramic Decoration in Interior Design
zhao li ; li ming jiang

..............page:123

Rock Formations in Modern Gardens
zhang na ; li zuo jun

..............page:124

Figure of Speech in the Posters
zhou qin

..............page:126

Eco-Waterscape Design in Urban Gardens
dai chun ning

..............page:127

Harmony and Chinese Painting Instruction
wang dan dan ; pang zhe

..............page:140

Thoughts on Chinese Painting Instruction
chang de qiang

..............page:142

Issues in Landscape Skctching
zuo wei ping

..............page:143

The Esthetic Standard of Color and Its Training Strategies
chen zhu lin

..............page:144

Art Connoisseurship
zhang shao jun

..............page:146

Into the Art World of Masters
ni na

..............page:147

Reflections on Modern Design Education
chen bo

..............page:148