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JIAOXIANG-Journal of Xi'an Conservatory of Music
1003-1499
2005 Issue 2
A Historical Vocation for the Changan Musical School
Hua Yun
..............
page:5-9
Exploring the Nature and Origin: A Discussion on "Ancient" of Changan Guyue (Changan ancient music)
Feng Yalan
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page:10-15
Further Study on the Cause of Formation of Huaer
CHEN Huiwen
..............
page:16-19
Musical Aesthetics in Philosophic Development in Ancient Greece
Gao Fuxiao
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page:20-23
Chinese Xiqu Opera and European Opera within Different Cultural Contexts
Wang Qunying
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page:24-28
Hindemith's Harmony Theory: Learning from Applied Angle
Qin Xixuan
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page:29-33
Trying to Understand the Soul of Great Musician: A New Interpretation of Beethoven's Symphony No.5
Ma Huiling
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page:34-37
bei duo fen yin le chuang zuo zhong de ren wen guan huai yu mei xue pin zhi
shao gui lan ; wang jian gao
..............
page:38-41
Brahms's Symphony No.3
Zhou Weijuan
..............
page:42-46
On Zhao Jiping's Movie Music Compositions (Ⅱ)
Ma Bo
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page:47-52
An Aesthetic Analysis on the? Expression? Of Playing Traditional Piano Music
Yang Heping
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page:53-56
lun he ji guang yan chang feng ge de xing cheng -- jian ji wang pin su de sheng le jiao yu si xiang
wang shuai hong
..............
page:57-61
sheng le jiao xue gan xing jing yan de li xing guan cha
yang tian jun
..............
page:62-64
shun le zhi tian rong ren zhi xing -- ji jiao qin
wei xiao rong
..............
page:65-67
yin le jiao shi neng li fen xi
li hui
..............
page:68-71
gao shi shi chang lian er ke cheng gai ge si kao
lu zuo zuo
..............
page:72-74
lun yin le zhuan ye wang luo jiao xue zi yuan jian she
ha zuo
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page:75-77
Further Discussion on the Dominant Relationship of intervals and some issues relating to Analytical Concepts and Cultural Standpoint in the Study of Chinese Minorities' Music
Xie Junran
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page:78-84
Comments on the Chapter of Chinese Opera in the Volume of East Asia in Garland Encyclopedia of World Music
Chen Chao
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page:85-91
Art Creation and Aesthetic Pursuance in Early Italian Violin School
Li Wei
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page:92-96