JIAOXIANG-Journal of Xi'an Conservatory of Music 2004 Issue 4 xiang gang " di san jie zhong guo zuo pin gang qin bi sai " wo yuan cheng ji xi ren

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JIAOXIANG-Journal of Xi'an Conservatory of Music
1003-1499
2004 Issue 4

xiang gang " di san jie zhong guo zuo pin gang qin bi sai " wo yuan cheng ji xi ren

..............page:25

xi lie qin hu gong zou xi hu qian tang liang an zhang sheng chao yong -- wo yuan dong fang min zu jiao xiang le tuan fu hang zhou yan chu yuan man cheng gong

..............page:11

di san jie " zhu jiang gang qin quan guo gao xiao yin le jiao yu zhuan ye da xue sheng ji ben gong bi sai " zong shu
liu chun xiao

..............page:90-94

wei liao tong yang yi ge mu biao xuan ze bu tong de jiao xue fang fa -- fang yi na ya da wa gu li qi he er jiao shou
liu rong di

..............page:86-89

Differences of Valuable Orientation between Verdi's and Wagner's Opera Compositions
chen zuo

..............page:82-85

A Cultural Thinking of the Piano Piece Xiyangxiaogu
wang ying

..............page:77-81

sheng le zhuan ye xue sheng sai qian zhun bei ying zhu yi de ji ge fang mian
jiang wen sheng

..............page:73-76

lun sheng le biao yan yi shu zhong de qing gan yin su
zhang bai zuo

..............page:70-72

20 shi ji zao qi zhong guo yi shu ge qu de chuang zuo yu yan chang
yu hong

..............page:66-69

gang qin jiao xue zhong ru he ti gao xue sheng de du pu neng li
zhu bin

..............page:63-65

Discussion on two Thinking Ways in Piano Performance
ren zhi qin

..............page:59-62

The Principles of Leschetizky and Fingering Teaching of the Piano
tian jun

..............page:56-58

Qi(气) and Yun(韵) in Piano Performance
fan li zhi

..............page:52-55

New Evidence of Musical Education for Improving Human Being's Quality
li xi lin

..............page:48-51

A New Study on Qu Xiaosong's Chamber Music Mong Dong
gu yu mei

..............page:43-47

Exploration into the Transformation of Ci(Poem) and Qu(Music)
peng gen fa

..............page:38-42

Historical Review on the Development of Modern Chinese Military Songs:From the End of the Qing Dynasty and the Beginning of the Republic of China to the Period of China's War of liberation
xu fan

..............page:29-37

Objectivity and Subjectivity in Musical Aesthetic
ye bo

..............page:26-28

Aesthetic Features of Chinese Intellectual Music in Cultural Context
shen bo

..............page:22-25

Plucked Instruments Showed on the Dun Huang Fresco
zhuang zhuang

..............page:12-21

Study on Accompanying Instrument Chou in the Early Period of Huangmeixi
liu zheng guo

..............page:5-11