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JIAOXIANG-Journal of Xi'an Conservatory of Music
1003-1499
2003 Issue 2
zhou qin ru bo shi lai wo yuan jiang xue
..............
page:28
ji xi an yin le xue yuan da ti qin yi shu jie
..............
page:50
Some Issues on Standardization of Notes and References
cai ji zhou
..............
page:62-66
cong yin le yi shu de ben zhi kan yin le jiao yu de shuang zhong ren wu
wang wei
..............
page:59-61
she hui xing bie yu yin le
tang ya ting
..............
page:54-58
chao yue sheng ming qing huai de ren sheng gan zuo -- wo ting er hu yu jiao xiang le dui shu guang >
wang ping
..............
page:51-53
si te la wen si ji de sha shi bi ya ge qu san shou >--" shen tang wu xun zhi xia de fu qin " zhi fen xi
chen ya chun
..............
page:47-50
Application of Whole-tone Scale in Modern Composition
chen shi sen
..............
page:43-46
Modulation of Pentatonic Mode and its Method to Deal With Harmony
fan zu yin
..............
page:33-42
The Notation of Traditional Recitation and its Way to Inher
qin de xiang
..............
page:29-32
The Melodic Shape Influenced by the Structure of Chinese Single Syllable Words
chen ying shi
..............
page:25-28
The Emperors of Three Generations during the Tang Dynasty, their Contribution to Musical Development and their Historic Limitation
li xi lin
..............
page:18-24
A Discussion about the Reason that the Folksong had been Developed Prosperously in the Ming and Qing Dynasties
xu yuan yong
..............
page:13-17
ContentsCultural Interpretation of the Changeable Reason in the Process of Huang Bo Zong Shengming Transferred to the East
zhou yun
..............
page:5-12
guan yu jia qiang xue shu dao de jian she de lian he sheng ming yu jian yan
..............
page:封三
Exploration of Xielu
wu dong pan
..............
page:93-96
Analyzing the Theory of Aesthetics Value of Xi Shan Qin Kuang
zhao yu jing
..............
page:89-92
he yin xun lian de zui jia tu jing yu jie gou yi shi
zhao xiao ping
..............
page:84-88
er quan ying yue > yin le te zhi chu lun
hu yan mei wen
..............
page:81-83
ge chang gong ming chu tan
sun li zhu
..............
page:76-80
On Higher Place of Singing
tao li xin
..............
page:72-75
A Survey of Studies on Musical Philology in China Since 1985
dan ya li
..............
page:67-71