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Journals   A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Journal of Wuhan Conservatory of Music China
1003-7721
2014 Issue 4
The Transformation and Decline of Chime-Stone in Han Dynasty
ZHU Guo-wei;
..............page:3-10
On the Implicit Narrative of Beethoven Piano Sonata no.18 in E fiat Major, Op.31, no.3
ZOU Yan;,LIU Li;
..............page:11-25
Explore the Duality Innovation Characteristic of the 20th Century Western Art Music
CAO Hui;,LI Xing-wu;
..............page:26-31
On Guo Naian's Humanistic Perspectives of Musicology
WU Can;
..............page:32-37
Visualization of Chorus Determination——Research on American Choral Science Literature
LIU Wen;,XU Fu-mei;
..............page:38-44,55
Do Unique Skill Disappear——Decipherment and Reflect on "Ba Yin Lian Huan,Wu Yin Lian Tan, Er Ren Lian Tan"
SHANG Shu-li;
..............page:45-50
On Creation and Spreading of Na You Kongxian Hui Niangjia (No Free Time Back to My Parents' Home
HU Man;
..............page:51-55
OnInvestigation and Analysis of Changyang Nan Qu Origin of Tao Hua Shan
CHEN Qiong;,YANG Rong;
..............page:56-66
Mongolian Double Voices Combined "Chao Lin Dao" under the Concepts of Acoustic Ecology
XU Xin;
..............page:67-74
The Notation of Yin Qiang (Tune Trope)——New Explore on Notation Theory of Chinese Traditional Music
CUI Hua;
..............page:75-79
Survey Report on "Songs of Filial" inJiayuArea of Hubei
YIN Gui-jiao;
..............page:80-85
From "Pitches-Class Sets" to "Pentatonic Pitches-Class Sets"
JIANG Lei;
..............page:86-97
The Characteristics and Application Significance of "Viennese Trichord"
LI Bo;
..............page:98-103
xin xi dong tai
..............page:封3,封2
Research on the Structure and Technical Characteristics of Compound Interval Cycles
CHEN Lin;
..............page:104-116
The Approach and Function of the Chord Structure Complicated of 20th Century
LIAO Yan;
..............page:117-126
To Analyses the Modes and Tonality in Mussorgsky's Works
LUO Chang-hua;,ZHAO De-yi;
..............page:127-132
Circulation, Variation, Inversion: the Architectural Feature of Xu MengdongSymphonic Fantasia
JIANG Wei-hao;
..............page:133-138
On Ravel Pavane pour une infante défunte with the Timbres Treatment of Melody Line and Entire Design
GONG Hua-hua;
..............page:139-144
On the Signature Motif in The Pastby Schoenberg
LI Yang;
..............page:145-153
Review on Professor Gao Yan'sGuzheng Recital
LIU Ye;
..............page:154-157
What Kind of Master Nie Er should to be?
LI Hong-chun;
..............page:158-164
To Analyse the Music Media Brand Management and Spreading
WEI Xing;
..............page:165-169,183
On the Dramatic Expression of Baritone in Operas
QU Bo;
..............page:170-176
Analysis of the Playing and Singing Skill of Jazz Music Style
LIANG Hong;
..............page:177-183
Research on Teaching of Violin Duet
XIAO Fei;
..............page:184-191
The Memories of My Mentor Professors Lu Huabei and Zeng Lizhong
KUANG Xue-fei;
..............page:192-196
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