Journal of Wuhan Conservatory of Music China 2009 Issue 4 Research On the Counterpoint Technique in R.K. Shchedrin\'s Polyphonic Notebook

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Journal of Wuhan Conservatory of Music China
1003-7721
2009 Issue 4

Research On the Counterpoint Technique in R.K. Shchedrin\'s Polyphonic Notebook
sun xiao zuo

..............page:12-22

The Twelve-Tone Technique and Orchestration in Schoenberg\'s Variations for Orchestra(Ⅱ)
hu lei

..............page:23-30

The Chinese Cultural Tradition hitting under Modern Sound "Chinese style" in Luo Zhongrong\'s Three pieces of piano music
dai bai sheng

..............page:38-45

Pansori and Stunts Music
pu en yu

..............page:46-50

On the Features of Music Style of Rachmaninoff\'s Piano Concerto No.1 in f sharp minor
yang fan

..............page:31-37,45

On 12-Note Counterpoint
liu yong ping

..............page:3-11

The Taiwanese Horned Fiddle: An Example of Exaptation of Musical Instruments
cai zhen jia

..............page:129-134

wo yuan " dong fang zhong le tuan " ju xing shou chang min zu jiao xiang yin le hui

..............page:封3

wo yuan long zhong ju xing " qing zhu xin zhong guo cheng li 60 zhou nian yin le wu dao wan hui "

..............page:封2

Faculty Development of Wuhan Conservatory of Music in Thirty Years:1978～2008(Ⅱ)
wang yi xiao

..............page:183-191

Review on Paul Clark\'s The Chinese Cultural Revolution: A History
gong hong yu

..............page:192-196

On the Song of Chang Xiang Zhi with the Relationship Between Word and Tone
zeng cheng

..............page:176-182

Research on the compiling from Yue Jing
tian jun

..............page:148-152

Elucidating the Art of Paintings about Dances with Music in The Han Dynasty on Folklore
li rong you

..............page:138-147

A New Perspective on How to Blow the Flute unearthed at the site of Yuyan
fang jian jun

..............page:135-137

On Fou: Deliberated With Zhu Dake
liu sha

..............page:121-128

The Origine of West Music Aesthestic with Its Forms(Ⅱ)
song xiang rui

..............page:113-120

On Jin Xiang\'s Idea of "Opera Thinking" With Its Background, Essential and Value
man xin ying

..............page:102-112

Clarifying Cao Edition of Guyun Chenggui
xie jian ping

..............page:57-61

Ban Is Not Downbeat and Yan Not Upbeat
du ya xiong

..............page:51-56

Study on the Source of Tiqin Xi Authentic Singing Tune in South of Hubei
hu jian ; cai ji zhou

..............page:62-68

The Validity of Interpretation and Relative Criterion
zuo er kang

..............page:94-101

The Fieldwork Studies of Daur and Oroqen music in Heilongjiang province, China
jin bao ji ; liu yong

..............page:86-93

On the Evolve Process of Chinese Flok Song Jasmine Flower in Three Areas
di qi an

..............page:69-75

The Style Features of Ritual Songs in Ti-ma Sorcery Cult at Tu-jia Minority
liu zuo

..............page:76-85

My Thoughts After Reading of Xue Yu Shu and On the Common Class of Harmony Current Situation
wang jin

..............page:159-164

On Prokofiev\'s Visions Fugitives with Five Main Composition Lines and Playing Treatment
zhou dan

..............page:165-175

My Thoughts Caused by the Current Situation of World Music in Japan
zhou yun

..............page:153-158