Journal of Wuhan Conservatory of Music China 2009 Issue 1 How Did Schoenberg Move Toward the Twelve-Tone Method

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Journal of Wuhan Conservatory of Music China
1003-7721
2009 Issue 1

How Did Schoenberg Move Toward the Twelve-Tone Method
ZHENG Ying-lie

..............page:3

On the Composition Technique of the First Part of Subject to Fugue
WANG Qiu

..............page:10

The Micro-Polyphony used in Ligeti's Lux aeterna
XU Chang-jun;ZUO Yan-fang

..............page:18

On the Formation Process and Structure of Scryabin's Mystic Chord one Method
WANG Wen

..............page:28

Perspective Analysis the Sound-Colour-Melody
RAO Ze-rong

..............page:38

The Composition Features of Tan Xiaolin's Duet for Violin and Viola
XU Xi-bao;YANG Chun-hui

..............page:45

The Composing Thoughts and Technique Method in Zhu Shirui's Mini Variations on Grass-Lyric
ZHOU Qian

..............page:50

Observe and Analyse the Artistic Tendency of European Music From the Church Service
YAO Ya-ping

..............page:57

On the Music Meaning of the Word Polyphony and its Historical Evolution
LI Xing-wu

..............page:67

On Guchui Music and Hengchui Music in the North of China in Han-Wei Dynasties and They Pass to the South
LIU Huai-rong

..............page:72

My Thoughts on the 5th International "Prokofiev" Competition in 2008
ZHOU Jin

..............page:196

Compared Daqu in Tang Dynasty With Daqu in Han-Wei Dynasties and Daqu in Song Dynasty
WANG An-chao

..............page:79

The Research of Tujia's Traditional Wedding Music in Cultural Anthropology
CHEN Yu-jing

..............page:89

On the Art of Ornamental Words in Ha'ni Nationality Folk Songs
HUANG Xiao-pin

..............page:97

Dynamic Rule of Composition for Chinese Traditional Opera( Ⅱ )
LIU Zheng-wei

..............page:101

Note on the Word Kai
XU Shan

..............page:115

The Basic Literature of Chinese Contemporary Music Aesthetics:Historical Review On Musical Figurativeness
MING Yan

..............page:118

Guantitative Analysis the Group of Authors Dispatched in HUANGZHONG During 2002～2008
LIU Sha

..............page:123

The Arcanum of Large Number Transition to Divisor in Huainan Honglie · Tianwen Xun (Chronometer)
ZHAO Song-guang

..............page:134

Why Did Kenzo Hayashi Alter the Tune Names of Ping Diao and Banshe Diao
YU Yun-fei

..............page:148

On the Mathematical Background of Scale and Temperament System
HUANG Li-min

..............page:155

Faculty Development of Wuhan Conservatory of Music in Thirty Years: 1978～2008 (Ⅰ)
WANG Yi-xiao

..............page:161

Instructional Design and Implementing of the Course World Music
ZHOU Yun

..............page:177

On the Innovation Pattern of Piano Teaching
WU Xiao-na

..............page:182

The Structure of the Third Movement of Shostakovich's Cello Concerto no.1 ne Method
TANG Yan

..............page:186