Journal of Wuhan Conservatory of Music China 2007 Issue 1 Mixed With Prepared: Several Issues on Electronic Music and Liu Jian's Composition of Electronic Music

Mixed With Prepared: Several Issues on Electronic Music and Liu Jian's Composition of Electronic Music
PENG Zhi-min

..............page:31-37

The Innovation of Fugue Structural Principle
ZHAO De-yi

..............page:23-30

Several Opinions on the Features of Melody Modality of Guqin
KUANG Xue-fei

..............page:38-45

Interval Discrimination
ZHOU Zhen-xi

..............page:46-51

The Spirit Effect of Chinese Traditional Modes
LIU Zheng-wei

..............page:52-61,77

Study on the Same Source of Yang'ge Diao distributed widely in northern China
Xue Yibing

..............page:106-116

Research On Taoist Music
HU Jun

..............page:117-124

On the Ceremonial Music in Judaism Altar Fete From The Books of the Old Testament of Holy Bible
YANG Min-kang

..............page:125-132

The Narrative of Musical Anthropology Seeking Humanistic Attention——On Publishing for Five Years of Street Music: An Epitome of American Society and Culture
Luo Qin

..............page:133-139

20th Anniversary of Huangzhong
Editorial Department

..............page:3-9,22

Development of Research Method of Musicology in New China (1949～1999)
FENG Xiao-gang

..............page:189-196

Once Again Development in Musical Academic Periodical——Words on Huangzhong 20th Anniversary
CHEN Quan-you

..............page:197-201

Music Publication with Musician
XU De

..............page:202-204,209

The Education Inheritable: the Suggestion to Give the Course of The Chinese Representative of The Oral and Intangible Heritage of Humanity
SUN Fan

..............page:205-209

The Rise, Establishment and Landscape of "Aesthetic Education"
Li yan

..............page:210-216

Comparative Research On the Tunes of Music Temperament Between China and Japan
ZHENG Rong-da

..............page:217-223,248

On Monophonic Counterpoint with Its Texture Composing: Research on Technique of Counterpoint in Modern Music Ⅱ
LIU Yong-ping

..............page:10-22

On the Tone System with Different Nationality Scale
TONG Zhong-liang

..............page:62-70

The New Chinese Traditional Orchestra with the Resource of Chinese Traditional music
HU Zhi-ping

..............page:71-77

The Point of View of Research to Chinese Traditional Music
CAI Ji-Zhou

..............page:78-83

The Characteristic of Gongche Notation in Chinese Traditional Music(Ⅰ)
WANG Yao-hua

..............page:84-93

My Thoughts to the Natural Folksong
FAN Zu-yin

..............page:94-96

Jin To Liang——On Jin To Liang, A piece of Drum and Gong Music in Jianghan Area
SHI Xin-min

..............page:97-100

Two Topics to the Collect Folk Songs in North of Shanxi
ZHENG Zhen-tao

..............page:101-105

To Explore the View of Human Relations in Zhou Dynasty from the Instrumental Metaphor in Shi Jing (Classic of Poetry)
LIU Sha

..............page:224-229

On Some Issues of Flute Historical Evolution
ZHANG Bin

..............page:230-233

Book Review on To Repair Crack: the Modern Crisis of Music with its Status of Post Modern
YANG Yan-di

..............page:234-239

Book Review on The Music Intercourse History Between China and Foreign Country
WANG Jun

..............page:240-247

On the Academic System of Music Historiography
TIAN Ke-wen

..............page:140-146

On Mao Zedong Music Thoughts
WANG Yi-xiao

..............page:147-156

On The Mass Animadvert of Music during Cultural Revolution
LIANG Mao-chun

..............page:157-164

On the Singing Technical Theory in Qing Dynasty
Wang Sen-sen

..............page:165-170

The Heptameron / Seven Statements of 2006
HAN Zhong-en

..............page:171-179

The Historical Significance to the Cup of Cherry Blossom of Vocal Competition
ZHOU Yun

..............page:180-188,201