Taiwan Hongkong and Overseas Chinese Literature 2015 Issue 1 Three Codes of Mo Yan’s Success:An Introduction to the Dialogue between Mo Yan and I Myself at The Open University of Hong Kong on 2 December 2014

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Taiwan Hongkong and Overseas Chinese Literature
1006-0677
2015 Issue 1

Three Codes of Mo Yan’s Success:An Introduction to the Dialogue between Mo Yan and I Myself at The Open University of Hong Kong on 2 December 2014
Liu Zaifu;

..............page:5-6

An Interior Landscape:From Modernism to an Age of Introversion
Huang Chin-shu;

..............page:7-13

“My Voice and My Existence”:On The Composite Interplay between Literatures in Chinese in the World by Liu Jun
Gu Yuanqing;

..............page:14-15

Incorporating the Literary Genres:The Issue of Stylistic Rules Regarding the Writing and Editing of Chinese Literary Histories:On The Cambridge History of Chinese Literature
Jiang Jinkun;

..............page:16-21

Modern Literary Attempts, Chinese and Western:A Brief Look at the“Film Fiction”in the Republic of China
Shao Dong;

..............page:22-29

zeng min zhi xian sheng shi shi

..............page:29-29

Transliteration is Trans-meaning
Ouyang Yu;

..............page:30-36

cao hui min zi xuan ji bian yuan de xun mi chu ban

..............page:36-36

Translation, Dissemination and Reception of Mo Yan in Central and Eastern Europe
Xiao Jin;

..............page:37-43

Going beyond the Journey:More Comments on Chang Mo and His Collection of Travel Poems, Fishing Alone the Empty
Shen Qi;

..............page:44-48

Tilting at Solitude:On Luo Chi-cheng ’s Poetry
Sun Jinyan;

..............page:49-54

Traces on the Shield:Native Practices and the Establishment of Identity in Wu An ’s Poetry
Xie Zhengda;

..............page:55-65

The“Zen”in the Six-line Poems by Thai-Chinese Poets, with Poetic Examples from the Little Poems Mill
Zeng Xin;

..............page:66-70

The Subtle Writings in Eileen Chang ’s“On Reading”Series:A Case of Diaspora Writing
Zhong Xi;

..............page:71-81

On the Uniqueness of Eileen Chang ’s Film Scripts in Her Hong Kong Period
Wu Yuyu;

..............page:82-87

The Issue of Historical Material in the Biographies of an Author, with Examples from the Chronological Table in Eileen Chang, My Older Sister, by Zhang Zijing and Ji Ji
Yang Hui;,Xie Zhaoxin;

..............page:88-94

The Amazing World outside Shanghai and Hong Kong:On Strange Country by Eileen Chang
Zhou Zhongmou;

..............page:95-98

Keeping Watch over the“Native Land”on Either Side of the Taiwan Strait:Reading Notes on Chou Hsiao-Hung ’s Fiction
Shen Qingli;

..............page:99-104

The Country People Moving into the Cities, with the 1960s and 1970s Taiwanese Literature as a Focus
Jing Juan;

..............page:105-109

In the Name of the Ancestors:A Comparative Reading of Ethnic Narratives on Either Side of the Taiwan Straits, with Examples from the Two Films, Red River Valley and Seediq Bale
Bai Huiyuan;

..............page:110-114

A Research into the Narrative of“Suffering-Confrontation”in the New American-Chinese Migration Fiction
Li Xiao’ou;

..............page:115-120

Roaming between Extravaganza and Restraint:On the Images of the Gambler in Macau is a City by Yan Geling
Jiang Wanqin;

..............page:121-124

Where is Elsewhere? On Writing Elsewhere:A Study of Sui Sin Far, Ancestress of North-American Asian Literature
Quan Wangmin;

..............page:125-128