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Taiwan Hongkong and Overseas Chinese Literature
1006-0677
2014 Issue 3
Sinophone Humanities and Singapore Experience:Ten Keywords
David Der-Wei Wang;
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page:5-20
The China Fasion in the 18th Century France: Based on the Orientalist Francois Petis de la Croix's Writing and Translation
Qian Linsen;
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page:21-29
The China Fashion on the 18th Century French Stage: Examplied by Lesage's Dramatic Writing
Qian Linsen;
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page:30-36
The Interweaving of Culture and Text——How the Confucian Classics Became a Source of Ideas for European Philosophy
Henrik J(a)ger;,Zhao Juan;
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page:37-41
China as a Kaleidoscope: The Formation of China's Image in Evariste Regis Huc's Travels and His Missionary Standpoint
Pang Xiyun;,Qian Linsen;
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page:42-48
The Boat Bound for Utopia: The Intercultural Communication Vision and Writing of Tcheng Ki-tong
Zhou Yunlong;
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page:49-56
How to Maintain the Dignity of Literary Criticism
Zhu Shoutong;
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page:57-61
On the Foundation of the Independence of Literary Criticism
Zhuang Yuan;
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page:62-66
Li Jianwu and the Construction of an Ideal Literary Criticism
Jin Xin;
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page:67-71
Classical Experience and the Construction of Modern Literary Criticism as an Independent Genre
Li Bohao;
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page:72-76
On Contemporary Poetry's Vision Building for New Chinese Poetry
Xu Yanzhuan;
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page:77-82
Poetry and Thought——On the Poetry of Yun He, the Famous Philippine Chinese Poet
Shen Ling;
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page:83-88
Shen Congwen's Pictorial Turn: A Visual Cultural Study in the Cross-Media Perspective
Li Jun;
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page:89-119
xin xi dong tai
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page:封2-封3
Pen's Dance in the Country of Maple Leaves——The Origin and Development of Canadian Chinese Literature
Li Hui;
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page:120-128