Foreign Literatures 2013 Issue 4 From Criticism to Critique: Foucault’s “What Is Critique?”and the Identity Quest for a Literary Critic

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Foreign Literatures
1002-5014
2013 Issue 4

From Criticism to Critique: Foucault’s “What Is Critique?”and the Identity Quest for a Literary Critic
FAN Yiting;

..............page:3-10

Quantum Narrative: A New Narrative Pattern
TANG Li;

..............page:11-18

Speech and Argumentation: Evolution of Literary Public Sphere
HU Zhenming;

..............page:19-27

Foreign Academia’s Study of Hayden White
WANG Xia;

..............page:28-35

Acceptance of William Wordsworth in the Context of Chinese Culture in the First Half of the 20th Century
ZHANG Yan;

..............page:36-45

Time and Space in American Jewish Fiction
QIAO Guoqiang;

..............page:46-52

Kusano Shinpei and China in the Historical Context of Showa Period: Change of Asian Awareness
YANG Wei;

..............page:53-62

Modern Revival and Appropriation of Cuchulain
CHEN Li;

..............page:63-72

William Empson at Beijing University 1947-1952: Reading John Haffenden’s William Empson
ZHANG Jian;

..............page:73-80

Dead Dog,Rope and Mandrake: Poetic Quotations and Wordplay in Beckett’s Waiting for Godot
ZHAO Shankui;

..............page:81-87

Approaching the Embedded Narrative in Paul Auster’s The Book of Illusions: Its Innovative Strategies and Cultural Functions
LI Qiong;

..............page:88-95

Film and Faulkner’s Narrative Innovation: On the Cinematic Strategies in Light in August
MAO Lingying;

..............page:96-104

Aesthetics and Sentiment as Means of Balance and Evasion in Scott’s Waverley Novels
SU Gengxin;

..............page:105-111

Fantasmatic Vision: Seascape in Bishop’s Globe-Trotting Geography
MI Jialu;

..............page:112-121

Phantom Happiness inside a Telescope: Visual Perception and Subjectivity in Hofmannsthal’s Novel Happiness on the Way
YANG Jin;

..............page:122-128

Understanding Cultural Trauma Writing in Mohsin Hamid’s The Reluctant Fundamentalist
PIAO Yu;

..............page:129-136

On Artistic Characteristics of Pereleshin’s Sonnets
LI Meng;

..............page:137-145

On the Chekhov Tradition in Lyudmila Petrushevskaya’s Drama
DONG Xiao;

..............page:146-151

Upside-down Binary Opposition:An Analysis of Atwood’s “Gertrude Talks Back”
ZHANG Lianglin;

..............page:152-157

guo wai wen xue 2013 nian zong mu lu

..............page:158-160

huan ying ding yue guo wai wen xue

..............page:161