1004-2075
2013 Issue 5
..............page:56-57
A Brush,All Ages
tang li
tang li
..............page:60-62
On Percussion Music of Chinese Operas
huang ping
huang ping
..............page:22-24
..............page:67-68
On Ways of Thinking of opera Directors
wang bao liang
wang bao liang
..............page:45-48
To Build up in "Aphasia"
tan ge sheng
tan ge sheng
..............page:43-44
On Calligraphy of Chen Baochen
xu dong shu ; huang xiao wo
xu dong shu ; huang xiao wo
..............page:65
The Colorful Stories of Li Lin
yue mei zuo
yue mei zuo
..............page:33-36
..............page:39-40
..............page:64
..............page:17-18
On "Orthodoxies" of the Five Emperors
pan wen fang
pan wen fang
..............page:49-53
..............page:37-38
Light and Colours of the Stage
you tian he
you tian he
..............page:63
..............page:封2-封3,前插1-前插4
..............page:66
..............page:54-55
..............page:79-80
My Views of Work of Opera Directors
liu zuo yu
liu zuo yu
..............page:16
Skills, Ways and Implication
zhu yi sa
zhu yi sa
..............page:19-21
On the "Form" and "Content" of Music of Chinese Operas
zhang jian guo
zhang jian guo
..............page:41
My Opinions as a Director
zeng jing ping
zeng jing ping
..............page:15
On Training for Directors in Fujian Province
cai huai yu
cai huai yu
..............page:14
..............page:42
The Role of "Image Seed" in Work of Director
cha ming zhe
cha ming zhe
..............page:9-13
On Connotation of "Antiquity" in Calligraphy
liu he xiang
liu he xiang
..............page:58-59
Two Crucial Factors: the Main Idea and the Music
huang zai min
huang zai min
..............page:4-8
To Go in Dilemma of Self-discipline and Heteronomy
xu dong shu ; huang wen juan
xu dong shu ; huang wen juan
..............page:31-32
..............page:69-78
..............page:25-30