Film Art 2008 Issue 1 A Critique: The Developing History of Contemporary Chinese Films

A Critique: The Developing History of Contemporary Chinese Films
Yan Chunjun

..............page:151

"quan qiu hua shi ye xia zhu liu dian ying de wen hua ren tong ji chan ye fa zhan xue shu tan tao hui " shu ping
xu zuo

..............page:152-153

"zhong ri ying xiang wen hua " yan tao hui zong shu
qin yi

..............page:153-154

"dian ying xue li lun chuang xin de li shi xing qi ji " xue shu yan tao hui
zhu yu qing ; lu jia ning

..............page:154-155

2007" zhong guo wang luo chuan bo nian hui " zuo " xin xin lun tan " zong shu
yu xiu cai ; chen shao hua

..............page:155-156

2007 nian shu zi dian ying nong cun liu dong fang ying shi chang chu jian duan ni
zheng li

..............page:156-157

di 26 jie wen ge hua guo ji dian ying jie san ji
wang rui

..............page:157-158

di shi jie shan xing guo ji ji lu pian dian ying jie zha ji
le zuo

..............page:158

Take the Actors as the Text
Chen Xiaoyun

..............page:150-151

Film Lecture: A Creative Way
Li Daoxin

..............page:150

Iran Cinemas 1385: Film Style and National Culture
Shi Guang

..............page:147-149

War Memories in Arab Films after 9/11
Li Xiang

..............page:143-146

Chi Ning: An Explorer for Chinese National Style in Film Art Direction
Gong Lin

..............page:88-93

The Outstanding Film Art Director and Watercolour Painter Qin Wei
Ni Zhen

..............page:82-87

Road of Hou Hsiao-hsien
Hou Xiaoxian

..............page:74-81

Image of Family——Interview with Li Jixian and Li Wei
Wu Guanping

..............page:69-73

The Warlords: An Attempt of Chinese Action Films
Law Kar

..............page:61-68

Study on the Development of Film and Other Related Industries at the Background of Digital Arts
Zhou Wen

..............page:58-60

Current Opportunities and Challenges Brought by Breakthroughs in Filmmaking Techniques
Lu Shaoyang

..............page:55-57

The Films about Heros and Models
Song Weicai

..............page:52-54

The Third Change On the Values of Chinese State Cinema
Shi An

..............page:5-10

Producers, Engines of New China Film
Wen Guo

..............page:11-16

An Issue on Young Generation in Film Making
Lin Jing

..............page:17-19

Assembly and Reconstructing Narrative of War Films
Hou Keming

..............page:20-23

Several Narrative Possibilities of the Film Dream must Come True
Zhao Bin

..............page:24-27

Peter Chan's Desolation and Coldness-On The Warlords
Reeve Wong

..............page:28-30

Triangle: Surmounting or Paradox of Auteur Theory
Su Tao

..............page:31-33

Fetishism,Performance and Identity in Lust, Caution
Feng Xin

..............page:34-39

The Mainstream Cultural Construction and the National Cultural Soft Power
Jia Leilei

..............page:40-48

The Identifition with the Value of Market Rules is the Base of Chinese Film Development
Zhong Dafeng

..............page:49-51

bian hou yu

..............page:159

ben kan qi shi / zheng gao

..............page:3,160

Orientalism——Decoding the Misunderstanding and Counterattack of Arab Culture under Hollywood shadow
Xu Mingming

..............page:139-142

An Issue on Theory of Post "Chinese Animation School"
Qu Lifeng

..............page:135-138

Pluralism and Reconstruction——On the New Media Video Image Transmission
Wang Yan;Yu Xiucai

..............page:131-134

The Internet "Mashup" Video: From Culture Perspective
Lu Heqiu;Xu Lin

..............page:125-130

Cold Case File——The Depths of Human Obsession with Zodiac
da wei e; wei lian mu si ; yu liang

..............page:119-124

The Sound Transcending Space and Time——Interview with Zheng Chunyu,the Sound Designer of The Knot
Sun Yang

..............page:114-118

Recollect Qin Wei
Huo Zhuang

..............page:107-113

Memorable Chi Ning
Shi Hua

..............page:103-106

Film Distribution and Exhibition in Shanghai (1949-1952)
Zhang Shuoguo

..............page:94-102