0257-0181
2007 Issue 2
..............page:159
..............page:160
..............page:156-158
Above Hong Kong Action Cinema
Robert Chan
Robert Chan
..............page:153-155
The Stakeholders of Animation in China
Chu Xianzhong
Chu Xianzhong
..............page:147-152
The Apocalypse to Chinese Animation from Cars
Shun Lijun;Ma Hua;Jia Yunpeng
Shun Lijun;Ma Hua;Jia Yunpeng
..............page:142-146
..............page:137-141
Civil Image and Civil Movement: On the Present Turning of New Documentary Movement
Han Hong;Tao Anping
Han Hong;Tao Anping
..............page:131-136
..............page:126-130
Zeng NianPing's Photographing in The Door
Chu Tianshu
Chu Tianshu
..............page:121-125
Go One's Own Way or Take the Rational Orientation?
Yu Jing;Zhang Zhenhua
Yu Jing;Zhang Zhenhua
..............page:118-120
..............page:115-117
Chinese Film's Premeditation of Cultural Foundation
Gui Qingshan;Tao Jiaxuan
Gui Qingshan;Tao Jiaxuan
..............page:112-114
The Security Problems of Chinese Film and TV Culture
Xiao Qing;Li Zhaoyang
Xiao Qing;Li Zhaoyang
..............page:109-111
..............page:106-108
The Style Study of Sadao Yamanaka's Films
Zhang Hongyi
Zhang Hongyi
..............page:99-105
Li Lili's Teaching Career
Hai Yin
Hai Yin
..............page:92-98
WangYan's Art and Film Character
Hou Keming
Hou Keming
..............page:85-91
..............page:80-84
The Analysis to the Development of Early Chinese Movies through the Movie Importing Channels and Ways
Liu Xiaolei
Liu Xiaolei
..............page:72-79
..............page:66-71
An Essay on Visual Thought and the Movie Media
Ke Yuechuan
Ke Yuechuan
..............page:59-65
..............page:55-58
Interview with Zhang Yang, the Director of Getting Home
Zhang Wei;Hong Fan;Tan Zheng
Zhang Wei;Hong Fan;Tan Zheng
..............page:49-54
A Gan: There is no Beautiful Future for Chinese Horror Film
Peng Jingyi;Tan Qiuwen
Peng Jingyi;Tan Qiuwen
..............page:44-48
..............page:41-43
..............page:36-40
An Auteur and a Genre: On the Relationship between Maxu Weibang and the Early Chinese Film History
Li Daoxin
Li Daoxin
..............page:28-35
Criticism on Getting Home
Zhai Xiao
Zhai Xiao
..............page:25-27
Zhang Yimou:Progress、 Return and Regret
Zhao Sumei;Chen Mo
Zhao Sumei;Chen Mo
..............page:22-24
..............page:19-21
2006 Movie industry in China
Yin Hong;Zhan Qingsheng
Yin Hong;Zhan Qingsheng
..............page:5-14
Pastiche or Rebelled Complex of the Red Guards?
Wang Yichuan
Wang Yichuan
..............page:15-18