Film Art 2007 Issue 1 Computer Game and American Contemporary Animation

Computer Game and American Contemporary Animation
Peng Jiaoxue;Wang Jin

..............page:151-153

The Heteroglossia of Chinese-Language Film Studies: A Review of "Chinese Films in Focus: 25 New Takes"
Yip Man-feng

..............page:154-155

Rethinking Globalization and Chinese-language Film Studies
Po-Chen Tsai

..............page:156-157

wang shan : cu zuo pu shi de sheng huo ying xiang

..............page:158

chen dian dian de jin qiu 2006 ri ben dian ying zhou de shou huo
zhi fei na

..............page:158-159

de guo dian ying da shi liu bie qian dan chen 115 zhou nian
qiu wen

..............page:159-160

Self-Enclosure of Hong Kong Films Caused by Unilateralism——A Research on the Slump of Hong Kong Films
Reeve Wong

..............page:113-117

Gold Recovered after Long Oblivion——A research note on Movies Weekly in the Great Rear
Yu Ji;He Xiaoyan

..............page:110-112

The Screen Pictorial (1933-1937) and Hollywood
Hu Jing

..............page:104-109

On the Relationship between People'sDaily and the Survival Space of New China Film
Li Daoxin

..............page:97-103

Zhu Wenshun's film life
Hu Chang;Zhu Jing

..............page:90-96

Study of Huang Zuolin's Films
Zhang Hua

..............page:80-89

About Film Ontology and Film Aesthetics——Some Thoughts on Film Studies under the Context of Multiplicity
Chen Xihe;Liu Yuqing

..............page:76-79

Return to Nature——The Question About Today's Movie Aesthetics Study
Jin Danyuan

..............page:70-75

Gave a future to cinema aesthetics
Wang Zhimin;Chen Jie

..............page:64-69

Looking For Self-Road——Interview With Zhimin Sheng, the Director of Bliss(Fu Sheng)
Wu Guangping

..............page:59-63

Zhang Zhiliang's In and Out
Robert Chan;Cecily Chan

..............page:53-58

The Story of A Japan Spy
Huang Ren

..............page:51-52

The Later Works of Director LI Pingqian
Law Kar

..............page:44-48

The Eyes of China
Zhang Yiwu

..............page:42-44

Fetchtism in Chinese Films——Filmizing from Foreign Works
Tan Qiuwen;Peng Jingyi

..............page:35-41

Being Myself under Industrialization——Jia Zhang-ke's Version on Independent Film
Wu Jing;Wang Zhen

..............page:27-34

Chrysanthemums,Poison, and an Exposed Timer——A Clumsy Authoritative Narrative of Curse of the Golden Flower
Du qingchun

..............page:5-9

Tranquil Violence——About Exiled
Xu haofeng

..............page:10-13

Mosaic Structure and Thrilling Effects
Lu Shaoyang

..............page:14-16

The Desting of Chinese Blockbuster
Yin Hong

..............page:17-19

Absence of Value and Ideology of Form——Interpretation of Prince of the himalayas
Zhang Jianzhen;Wu Haiqing

..............page:20-22

The Knot: Abour Loyal Love
Wang Chun;Yin Li;Kang Jianmin;Lie Fu;Wang Renyin;Zheng Dongtian;Lin Hongtong;Liu Yantao;Li Xun;Chen Xiaoyun;Zhang Yan

..............page:23-26

The Original Chinese Animation and Their Authors
Yin Fujun

..............page:146-150

Jean Rouch: Taking Risk Is My Profession
Zhang Tongdao

..............page:142-145

The Old Summer Palace: The Beautiful Reappearance of "Garden of Gardens"
Jiang Weibin

..............page:138-141

yun shui yao pian tou pian wei de dian nao san wei zhi zuo
zhao zhong wen

..............page:135-137

yun shui yao kai pian chang jing de hou qi he cheng zhi zuo
xu xin

..............page:131-134

yun shui yao shu zi zhong jian pian chuang zuo
ma ping

..............page:128-130

The Best cinematography is completely unadorned——Interview with Zhao Xiaoding,Cinematographer of Curse of the Golden Flower
Tan Zheng

..............page:124-127

Staring at Female Image——Research on Female Theme Film in Recent Years
Li Bin

..............page:121-123

Feminism criticisms on feminine movies in China in recent years
Liu Hailing

..............page:118-120