Contemporary Cinema 2016 Issue 2 bei jing da xue dian ying xue bo shi sheng guo ji lun tan

bei jing da xue dian ying xue bo shi sheng guo ji lun tan

..............page:2

Chinese Blockbusters:On the Starting Point of Film Supply-side Reform
Nie Wei;Du Liang;

..............page:4-9

The “Chinese Blockbusters” in New Industrial Ecology

..............page:4

The Chinese Films towards Industrialization:An Interview with Ye Ning,VP of Wanda Culture Group & the Producer of The Ghouls
shi xiao xi ;

..............page:10-14

The Immersive 3D Experience:An Interview with Director of The Ghouls
wang ; pan zhi xin ; fu meng ran ; zhao xue ;

..............page:14-18

The SFX Process of A Blockbuster:An Interview with SFX Producer Yang Yuejuan of Monster Hunt
zheng han min ; zhao xue ; zhang peng ;

..............page:19-23

The Comparison of Chronicles of the Ghostly Tribe and The Ghouls in Genres and Visual Effects Presentation
Cui Chen;

..............page:23-27

2015:The Comparison of Hollywood and Chinese Film Development & International Communication State Study
Sun Jian;

..............page:28-37

The News Conference of "Chinese Films’ Global Simultaneous Opening " & the Launching of Chinese Films’ Global Distribution Platform
Xiao Yu;

..............page:37

lao pao er
guan hu ; dong run nian ; zhao ning yu ; lian xiu feng ; tian hui qun ; zheng zhong zuo ;

..............page:38-45+98

wo yi zhi xiang pai yi bu zhen tan dian ying tang ren jie tan an dao yan chen si cheng fang tan
chen si cheng ; li jin qiu ; feng si liang ;

..............page:46-49+99

The Myth of Artificial Intelligence:The Study of Sci-Fi Film about A.I.
Hu Yu;

..............page:50-55

The Fairy Tale and Nightmare of A.I.:The Interpretation of A.I.in Sci-Fi Film
Xu Le;

..............page:56-60

I, Robot,and the Future of Human Beings:On Sci-Fi Film about A.I.
Qin Xiqing;

..............page:60-65

The Index and Method System Study of Film Program Risk Evaluation
Si Ruo;Zhang Qiang;

..............page:66-71

The Study of Data Mining of Public Opinions towards Films Based on Big Data and that of Risk Control
Ni Wan;

..............page:71-76

The Risk Evaluation and Process Management System of IP Adapted Film Programs
Chen Peng;Fu Yi;

..............page:77-81

The Type Construction of Chinese Film Insurance Detailed by Risk Identification
Xu Yaping;Ding Yipin;

..............page:81-86

The Multi-Dimensional Measurement of Investment Risk,the Establishment of Film Business Incubator
he jun yi ; liu xin zuo ; shi jia hui ;

..............page:86-88

The Development Status of Russian Film Industry
Shao Qi;

..............page:89-94

Poetry,Glory and Legend:The Review of Russian Animated Films since 2000
Liao Haibo;

..............page:94-98

yi qie du hao
song xiao ; liu ya ;

..............page:97

On the Issues of Film Adaptation from Literature:The Cinematic Features of Classic Literature
А.Л.Фокеев;Ye Hong;

..............page:98-100

ji xian tiao zhan
shu huan ; yan min ; liao zuo zuo ;

..............page:100

The Study of "Xie Jin’s Diaries":Study and Life in North China University of Peoples’ Revolution
Shi Chuan;

..............page:101-106

Yunnan Ethnic Dramas as Ideological State Apparatuses from 1949 to 1966
Song Jie;

..............page:106-112

Soviet Dubbed Films’ Cultural Infiltration to Chinese Animated Films from 1949 to 1966
Liu Dishan;

..............page:113-117

1959:The Peak of Chinese Film’s National & Traditional Aesthetics
Liu Ting;

..............page:118-120

The General Situation of "Chinese Film Audience’s Satifsfaction Survey" in 2015
Sun Xianghui;Bian Jing;Ou Wanyong;

..............page:121-126

The Top-layer Design of Chinese Ethnic Films:History,Significance and Re-Conception
Xie Wanruo;

..............page:127-130

The Theories and Approaches of Film History Studies:Newly-Discovered Materials,Different Ways of Thinking,and Innovative Approaches

..............page:131-133

shi chang yu fei shi chang li liang zai dian ying ye sheng chan yu fen pei chang yu zhong de jiao li cong xin zhong guo cheng li yi lai dian ying ye li yi fen pei ge ju de xing cheng yu yan bian tan qi
shi xiao xi ;

..............page:133-135

zhong guo dian ying shi zhong de ru jia dao de jing shen
Matja? Vidmar;

..............page:135-137

ben tu hua de di guo zhi min di xuan chuan yi wei man nong cun dian ying xun hui shang ying wei li
wang le ;

..............page:137-140

nong cun guan zhong zao qi dian ying yu she hui zhu yi xian dai xing : dui mao shi dai nong cun fang ying de li lun hua zai si kao
guo yan ping ;

..............page:140-142

gan xing jie fang yu zhu ti xing xiang xiang guo pian fu xing yun dong shi lun xin ping
ma li lin ;

..............page:142-144

ma ke si zhu yi shi guan guan zhao xia de zhong guo zao qi dian ying shi xue xie zuo xian dai zhong guo dian ying shi lue de li shi yan jiu fang fa
zheng zuo ;

..............page:144-146

yu le pian de yu yong xiu ci dui 20 shi ji 80 nian dai yu le pian zhi zheng de zai si kao
zhou xu ;

..............page:146-148

da zhong chuan bo yu jing xia guan yu dian ying shi chuan bo de si kao
zhao yi ;

..............page:148-150

The Summary of the 3rd “International Doctoral Forum of Film Studies in Peking University”
Shi Xiaoxi;Li Yujian;

..............page:151-152

The Nollywood Film Development Research in the Perspective of “African Dream”
Hodan;

..............page:153-156

Huallywood Film and Ethnic Modernity:Taking Tianshan Film Studio as a Case Study
Hong Changhui;

..............page:156-160

Longing & Lost:The Analysis of Visual Elements in Jiang Wen’s Films
Zhou Fengnian;Yuan Meng;

..............page:160-163

Transnational Landscape and Identity Construction of Huallywood Films in the Context of Globalized Imagination
Wang Bingxue;

..............page:164-168

The Pattern and Channel Innovation of Huallywood Films on the Internet Marketing
Gu Yangli;

..............page:168-171

The Game between Digital Technology and Film Art
Lan Yueyun;

..............page:172-175

The Change of Digital Media Pattern in the Context of Mobile Internet
Zhou Yi;

..............page:175-178

The Application and Revolution of Digital Technology in Museums in the Context of New Media
Liang Chenhao;

..............page:178-181

The Thoughts of Mobile Internet and Digital Media Art Education
Zhong Su;

..............page:182-184

The Development Paths of the First-Person Documentary in the Era of Digital Media
Qian Yi;

..............page:185-188

The Micro-Film Distribution in the Context of New Media Economy
Tu Yue;

..............page:188-191

The Summary of “2015 Chinese Film Industry and Cultural Development Forum in Shanghai University”
Chen Xihe;Zheng Yang;

..............page:192-194

The Summary of "The Forum in Commemoration of the 110th Anniversary of Chinese Cinema"
Ling Binli;Tian Bowen;

..............page:195-197

The Summary of the Asian Film Seminar & the Launching Ceremony of Blue Book on Asian Film in 2015
Zhang Yan;Wang Yunshu;

..............page:197-199

The Summary of "Academic Forum at the 1st University Comic-Con in the Western China"
Zhou Zhou;Wei Lin;

..............page:199-200

2015 nian zhong guo dian ying chan ye he wen hua fa zhan gao duan lun tan

..............page:201