Contemporary Cinema 2006 Issue 6 The Research of the Folk Film Criticism Expected

The Research of the Folk Film Criticism Expected
Zhao Tong

..............page:127-128

A Summary of the 3rd Doctorial Forum of Film Studies
Xu Le

..............page:128-129

Comparative Studies of Chinese-Foreign Children's Films
Ran Hong

..............page:130-133

Chinese Children's Films without a Child's Perspective: An Analysis
Ling Yan

..............page:133-137

Reality, Fantasy and Love Motif
Ge Congmin

..............page:137-140

Discursive Hegemony in Chinese Film Criticism
Qin Xiaoling

..............page:125-126

On Contemporary Film Criticism
Lu Yidu

..............page:123-125

Questioning the Idea of "the Generations" of Chinese Filmmakers
Guo Yue

..............page:121-123

The Flowing Landscape
Shao Peiren;Fang Lingling

..............page:98-102

The Representation and Anxiety of Body in the Recent Chinese Films
Chen Xiaoyun

..............page:94-98

Cinematic Art as Stage Work——A Historical Tracing of "What Film Is"
Jia Leilei

..............page:91-94

The Norm in the Academic Research and the Professional Morality
Wu Di;Qi Zhi

..............page:86-90

Prince of the Himalayas

..............page:76-85,中插1

The Banquet

..............page:66-75,中插2

Feng Xiaogang's Filmography
feng xiao gang gong zuo shi

..............page:65

Cell Phone: A Postmodern Allegory of Urban Life
Zhou Xia

..............page:62-65

The System of Theatre Chains in China: A Perspective of Film Distribution
Shen Yun

..............page:19-26

When Oriental Hollywood Encounters Hollywood
Si Ruo

..............page:26-31

The Distribution Patterns of American Film Companies
Gao Hongyan

..............page:31-34

Feng Xiaogang and His Films in the Critics'Eyes

..............page:35-41

Feng Xiaogang on Feng Xiaogang
Feng Xiaogang;Gao Shan

..............page:42-43

Feng Xiaogang's Films as the Chinese Brand of Mass Culture
Jia Leilei

..............page:44-50

Commercial Aesthetics in Feng Xiaogang's Films
Yin Hong;Tang Jianying

..............page:50-55

On Marketing of Feng Xiaogang's Films
Li Haixia

..............page:56-61

Graphic Quotation in Ivan's Childhood
Gui Xiaohu

..............page:140-143

Can We Industrialize Children's Film?
Wang Qing

..............page:143-145

The Issues of Contemporary Chinese Children's Film: from Ideas to Works
Fu Xiaoyin

..............page:146-150

Sympathy for Lady Vengeance: An Analysis
Song Guangying

..............page:151-154

The Local History of Chinese Film: A New Perspective
Liu Xiaolei

..............page:120-121

Considering Film Historiography
Xu Le

..............page:118-119

From Research on Film Practice to Screenwriting
Wang Lijun

..............page:116-117

The Four Dimensions of the Audiovisual Space
Zhou Qingping

..............page:114-116

The Direction of the Theoretical Construction of Chinese Cinema
Zhang Caihong

..............page:111-114

On Innovation of Film Theory
Pan Yuan

..............page:109-111

Re-understanding "the Author"
Li Xiaoli

..............page:107-109

"Re-constructing Film Studies"
Chen Xiaoyun

..............page:105-107

Desconstructing "Hero"
Ge Congmin

..............page:102-104

Corpse Bride: An Anti-traditional Romance
Wang Hong

..............page:154-156

Munich: the Embarrassed Narrator in the Hollywood Context
Chen Yong

..............page:156-158

Some Points of the Industrial Development of Chinese Cinema
Hong Shi

..............page:4-7

The Competitive Power of Chinese Film Industry in the World
Tang Rong

..............page:8-14

The Financing Strategies of Film Production in China
Shao Qi

..............page:14-18