1672-9838
2016 Issue 2
..............page:2-4
Studying Artists in Anthropology:An Intellectual-Historical Project
Wilfiied van Damme;JIANG Jingke;ZHANG Yanfen;School of Art History;Faculty of Humanities;Leiden University;Art College of Inner Mongolia University;
Wilfiied van Damme;JIANG Jingke;ZHANG Yanfen;School of Art History;Faculty of Humanities;Leiden University;Art College of Inner Mongolia University;
..............page:5-8
On the Concept,Classification and Methodology of Cultural Heritage
XIONG Huan;The Department of History;Sun Yat-sen University;
XIONG Huan;The Department of History;Sun Yat-sen University;
..............page:9-13
meng gu guo wen hua yi shu da xue wu dao xue yuan yuan chang e er dun zuo zuo ge lai wo yuan fang wen
dao ri na ;
dao ri na ;
..............page:13
Introduction and Research on Rock Art of India
Giriraj Kumar;ZHANG Jiaxin;XIAO Bo;Dayalbagh Educational Institute;Minzu University;Nanjing Normal University;
Giriraj Kumar;ZHANG Jiaxin;XIAO Bo;Dayalbagh Educational Institute;Minzu University;Nanjing Normal University;
..............page:14-30
Explain Muslim Culture with Confucianism——An Art Anthropology study on the art of wood carving in Nanchong
LI Dongfeng;Fine Arts Department;China West Normal University;
LI Dongfeng;Fine Arts Department;China West Normal University;
..............page:31-34
A Research on Folk Frescoes in Baoji Region
LI Qiang;Baoji University of Arts and Sciences;
LI Qiang;Baoji University of Arts and Sciences;
..............page:35-41
Manis Stone Women Artists Survey of Qinghai Nang-qian
YANG Guixiang;YUE Tiaotiao;Arts department of Qinghai University for Nationalities;
YANG Guixiang;YUE Tiaotiao;Arts department of Qinghai University for Nationalities;
..............page:42-48
Shallow Discussion on Natural Elements of Folk Art
TAO Xinran;HUANG Junjin;Art Institute of Inner Mongolia University;
TAO Xinran;HUANG Junjin;Art Institute of Inner Mongolia University;
..............page:49-53
The Multiple Structure of Folk Belief in The North Area of Sichuan——A Case Study of The Pig God Bodhisattva
LI Yi;Academy of Fine Arts China West Normal University;
LI Yi;Academy of Fine Arts China West Normal University;
..............page:54-59
Inheritance·Intertextuality·Innovation——Chinese Calligraphy’s Application Thinking in Contemporary Fashion Design
LU Xingren;College of Arts and Design;Wuhan Textile University;
LU Xingren;College of Arts and Design;Wuhan Textile University;
..............page:60-66
The Development and Technique of Inner Mongolia’s Meticulous Figure Painting
WU SU Ronggui;Art Institute of Inner Mongolia University;
WU SU Ronggui;Art Institute of Inner Mongolia University;
..............page:67-69
The Features of QT-Wood Structure of the Architecture in the Gardens of Yangzhou City in the Ming and Qing Dynasties
MAO Lianjie;Art and design Academy;Yangzhou University;
MAO Lianjie;Art and design Academy;Yangzhou University;
..............page:70-73
The Perspective of Cultural Ecology of Tujia Folk Songs
XIONG Xiaohui;Art institute ofhunan university of science and technology;
XIONG Xiaohui;Art institute ofhunan university of science and technology;
..............page:74-83
wo yuan luo ying fu jiao shou rong huo di shi si jie 21st century art yi da li guo ji sheng le bi sai te deng jiang
shi yong qing ;
shi yong qing ;
..............page:83
The Cultural Background and Historical Significance of West Anhui Folk
LU Wei;SUN Sihua;Department of music;Hefei Normal University;College of Arts and media;Anhui University;
LU Wei;SUN Sihua;Department of music;Hefei Normal University;College of Arts and media;Anhui University;
..............page:84-87
Centuries Research on Mongolian Music(Part Ⅷ)
Boteletu;GUO Jingjing;Art College;Inner Mongolia University;Inner Mongolia Academy of Social Science;
Boteletu;GUO Jingjing;Art College;Inner Mongolia University;Inner Mongolia Academy of Social Science;
..............page:88-99
Hutukeqin:A Field Study on Mongolian Nuo Opera
DONG Bo;School of Music;Inner Mongolia Normal University;
DONG Bo;School of Music;Inner Mongolia Normal University;
..............page:100-109
Contemporary Heritage Investigation on Quzi in Hami,Xinjiang
MAO Qiaohui;JI Xiaoning;Institute of Ethnic Literature;Chinese Academy of Social Sciences;College of Liberal Arts;Shanxi Normal University;
MAO Qiaohui;JI Xiaoning;Institute of Ethnic Literature;Chinese Academy of Social Sciences;College of Liberal Arts;Shanxi Normal University;
..............page:110-116
International Spread Path and Challenges of the Chinese Dream from the Perspective of the Domestic Films
CHU Shuangyue;BAI Haitian;Film and Television Art Research Institute;Chinese National Academy of Arts;Secretary of the Communist Youth League Committee;Ministry of Culture of the People’s Republic of China;
CHU Shuangyue;BAI Haitian;Film and Television Art Research Institute;Chinese National Academy of Arts;Secretary of the Communist Youth League Committee;Ministry of Culture of the People’s Republic of China;
..............page:117-124
From Novel Text to Television Image Text——A Visual Adaption Analysis on Television Drama The Ordinary World
TIAN Weigang;Television School;Communication University of China;
TIAN Weigang;Television School;Communication University of China;
..............page:125-129
The Use of Breathing and Movements on the Korean Dance
JIN Nina;Nadahan;Art Institute of Inner Mongolia University;Performing Center of Inner Mongolia Ethnic Arts Theater;
JIN Nina;Nadahan;Art Institute of Inner Mongolia University;Performing Center of Inner Mongolia Ethnic Arts Theater;
..............page:130-132
A New Vision of Theoretical Study of Mongolian Instrumental Music: An Evaluation of “Individual,Tradition and New Vision——Research of Wu Yunlong’s Four-string Fiddle Art”
Ulalji;China Conservatory of Music;
Ulalji;China Conservatory of Music;
..............page:133-136
..............page:137-139