Journal of Art College of Inner Mongolia Universit 2011 Issue 3 yang min kang si ren na da mi de jiao shou zai wo yuan ju xing xue shu jiang zuo

yang min kang si ren na da mi de jiao shou zai wo yuan ju xing xue shu jiang zuo

..............page:43

Analysis of the Characteristics of Horqin Long-tune Folk Songs
WU Li-han

..............page:50-56

Analysis of Tune Forms of Xinjiang Bayangol Mongolian short-tune folk songs
YU Mei

..............page:57-62

On the Significance and Path of the Functional Protection of Mongolian Long-tune
QIAO Yu-guang

..............page:40-43

Ordos Eulogy as Verbal Art and Its Characteristics
Habaatar

..............page:31-35

Mughal Dynasty in India Fine Art Painting of Mongolian Style
Deborah o Swallow;Translated by of Mao Ming

..............page:77-79

The Limen and Media in Love——Inspection of the cultural function of Changjiao Miao dress in love customs
AN Li-zhe

..............page:18-22

Contend the Ratification of the Three Kinds of Seven Scales and "YanYue Music Scale,"
MIAO Jin-hai

..............page:93-101

The Aesthetic Characteristics of Singing Emotional Expression
GUO Jing

..............page:118-121

nei meng gu da xue yi shu xue yuan min zu diao su yu zhuang shi yi shu yan jiu zhong xin zheng shi cheng li

..............page:71

wen hua bu min zu min jian yi shu fa zhan zhong xin bei fang min zu yan jiu ji di zai nei meng gu shi fan da xue cheng li

..............page:117

A Preliminary Inspection of "duo yin wen du er"
WU Lan-jie 1.Wu Lan2.

..............page:5-9

Forum Summary of "Aesthetics from East and West Perspective "
SONG Sheng-gui 1.YANG Wei-na 2.

..............page:133-136

nei meng gu da xue yi shu xue yuan mei shu xi 2011 jie bi ye sheng you xiu zuo pin xuan

..............page:137-142

The Significance Expliciting of the Structural Properties of Music Materialsto the Problem of Music Nature——Viewing the music nature from the creation of modern music
FENG Xiao

..............page:107-111

The "Living Carrier" of China’s Folk Music Culture——Cognition of the social and cultural of the value of folk music artists
GAO Qiao-yan 1.Burgud2.

..............page:36-39

wo yuan li shi xiang yang yu cheng liang wei jiao shou dang xuan wei zi zhi qu di qi jie yin le jia xie hui fu zhu xi

..............page:92

yan cai hua zuo pin xuan
wang rong

..............page:2-4

A New Idea of Creation of Bass Tune
Wu Biao

..............page:102-106

Sum Up of the Theoretical Study of Tibetan Art Abroad since the 1990s
LUO Yi-fei

..............page:63-71

Mongolian long-tune under the Folk Culture Domain
LIU Xin-he

..............page:44-49

The Image of Nature in Tchaikovsky Piano Suite "Four Seasons"
WANG Yan-fang

..............page:112-117

wo yuan zhu ban dong fang shi yu zhong de xi fang mei xue gao ceng lun tan

..............page:49

Naadam: The Ancient and Modern Mongolian Holiday
ZHANG Shu-guang

..............page:10-17

jia na da hong se tian kong yi shu tuan lai wo yuan jiao liu yan chu

..............page:136

An Approach to the Changes of Modern and Contemporary Chinese Painting Styles
CHEN Tie-mei

..............page:72-76

zhao yun dong she ying zuo pin

..............page:143-145

The Communication and Correlation between Yunnan Tibetan Music Dance Culture and Its Surrounding National Culture
SHI Yu-zu

..............page:23-30

Present Status and Thinking of Discipline Construction of Universities Cultural Industry
LIU Yun-mei

..............page:127-132

On the "Visual" Aesthetic Trends of the Present Architectural Design from the Perspective of Ordos City Building
ZHAO Sheng-hong

..............page:122-126

zhong guo meng gu zu min ge yi shu xue shu yan tao hui zai wo yuan long zhong ju xing

..............page:62

An Approach to the Related Problems of the Composing of Chinese Ancient Music History
BAI Hu-jiu

..............page:85-92

Appeal to Human Value of Ideals and Courses of Higher Art Education
WU Bao-de;ZHANG Xiao-jian

..............page:80-84