Journal of Art College of Inner Mongolia Universit 2010 Issue 4 mei guo gang qin jia xi la li · dai ma si ke zai wo yuan ju ban jiang zuo he du zou yin le hui

mei guo gang qin jia xi la li · dai ma si ke zai wo yuan ju ban jiang zuo he du zou yin le hui

..............page:38

wo yuan shi sheng huo bei jing guo ji di yin ti qin yin le jie zuo shou jie di yin ti qin zhong guo zuo pin zhan yan jiang

..............page:108

wo yuan shi sheng huo di er jie shen zhou chang xiang quan guo pu tong gao deng yuan xiao sheng le zhan yan bi sai jiang xiang

..............page:112

On the Construction of the Training Courses of the Composite materials of the Decorative Art
LI Zhao-bin

..............page:50-53

nei meng gu da xue yi shu xue yuan he chang ji di xue yuan ban can jia di er shi si jie ao men guo ji yin le jie

..............page:2

nei meng gu da xue yi shu xue yuan xue bao 2010 nian zong mu lu

..............page:133-136

The Evolution of News Broadcast Style of China from the Perspective of Social Change
LIU Feng-zhi

..............page:124-127

Index of Research papers on Northern China Culture 1991
Checheg

..............page:128-132

An Approach to Stage Performance of Li Yu′s Opera Art
GE Liying

..............page:113-116

The Borrowing and Integration of the Dance Elements of Khitan Dance and the Central Plains
WEN Hua

..............page:117-119

The New Century and New Concepts:Culture as Resource
LIU Xi-cheng

..............page:16-18

The Influence of the Regional Features of the Northern Steppe on Mongolian Dance Style
ZHAO Xiao-ding

..............page:120-123

nei meng gu da xue yi shu xue yuan yuan chang nei meng gu da xue yi shu xue yuan xue bao zhu bian li yu lin chu xi 2010 zhong guo yi shu ren lei xue xue shu hui yi

..............page:75

The Psychological Needs and Improvisation of Mongolian Long-tune Singing
Hobis

..............page:72-75

From the interpretation of the ancient Mongolian nomadic civilization northern grasslands of the formation and development tool
Usurunggui

..............page:27-32

Some Views on the Study of Minority Industrial Arts
XU Wan-bang

..............page:44-49

The Connotation of the "Horse-paced" Tune Melody of the Short-tune Mongolian Folk Songs
LI Shi-xiang

..............page:76-82

The Fieldwork of Making of Huagudeng Shoes "Chenzi"
LIU Jia

..............page:39-43

Intangible Cultural Heritage in Changes——The heritage and development of the Manchu paper-cutting performance under the influence of Changbai Mountain region
WANG Ji

..............page:19-26

The Penetration of the Concept of Diverse Music Culture in the Solfeggio
ZHAO Nan

..............page:95-100

Intangible and Material Heritage in Ethnic Art and Folk Art
Robert·Leiden GUAN Yi

..............page:5-15

The Sound Modality and the Cultural Manifestation of the Cangshan Dayue and Tumen Community Fire Gong and Drums
TIAN Bin-hua HUA Ming-ling

..............page:88-94

wo yuan cheng gong ju ban shou jie yan jiu sheng xue shu · yi shu huo dong yue

..............page:123

The Character Types and Performance Narration Taboo in Monster′s Story "Bodibalaga Khan"
TONG Zhan-wen

..............page:83-87

The Music Forms and Succession of the Shoulder Opera in Shaxian County,Fujian Province
WU Bi-ling

..............page:101-108

An Approach the Survival of Classical Drama from the Perspective of Propriety Environment
ZHANG Fan

..............page:109-112

meng gu yin le yan jiu wen ji shou fa shi zai wo yuan ju xing

..............page:137

wo yuan song sheng gui jiao shou rong huo zhong guo wen lian wen yi ping lun jiang

..............page:87

Research on Overtone Singing in Western Vision
XU Xin

..............page:54-68

Xiangxi Bapai and Xilankapu from the Perspective of Art Anthropology
TIAN Ming

..............page:33-38

wo yuan shi sheng huo ba jun bei meng gu wen wen xue zuo pin da sai jiang xiang

..............page:127

On the Plasticity And Impromptu Nature of Mongolian Urdinduu
Gereltu

..............page:69-71