zhong guo yin le xue zi de fu yin

..............page:78

Shanghai Oriental Art Center 2011 Program Recommendation

..............page:80

Classical Melodies
zhou ling zhen

..............page:66-69

What’s on at Shanghai Opera House

..............page:78

I Capuleti ei Montecchi at the Munich National Theatre
xiao an

..............page:10-11

A modern version of The Return of Ulysses
ri zuo

..............page:18-19

Medea,Norma,Callas
ren hai jie

..............page:44-45

Domestic News

..............page:54-55

The first Cio-Cio San in China:An interview with Li Jinwei
jing zuo ren

..............page:38-39

Marking forty years in the musical career of Zhang Jinxiang
li fu yi li dan

..............page:40-41

The Record of Singing(10)
shi jun liang

..............page:72

Central Opera House:Recapturing the brilliance of opera
he zuo fei bin

..............page:60-61

Opera Schedule

..............page:79

Appreciation of classic
ou nan

..............page:62-63

International News

..............page:56-59

Dr.Sun soon rises:Composer and Librettist discuss a Revolution in Opera
Ken Smith

..............page:24-31

Nico Muhly’s Two Boys:Boldly venturing out into the world
pu luo

..............page:12-14

fa zhi yu xin ge chang zhi yin se yan jiu
ge tian

..............page:74-77

ge ju zhi duo shao zhi tian zi you xi
cai hui

..............page:73

An amateur’s point of view on opera in China
dai wen tian

..............page:46-48

On lecture series of "Going into opera"
zhang li li wang bo

..............page:22-23

His songs were hits of their time—An interview with Mr. Lou Qiangui
jiang li

..............page:36-37

Popp and Damrau
ou nan

..............page:42-43

xi yang ge ju yong tan diao da quan you gou shang xian

..............page:71

New production of Tannh user greeted by hecklers
zhang yun

..............page:8-9

Of Mice and Men:A truly outstanding production by Opera Australia
xie jing jing

..............page:15-17

A new operatic power balance in New York
xie chao zong

..............page:6-7

A new opera portrays the life of young people in the 20~(th) century
liu shi zuo

..............page:52

Scottish Opera’s Intermezzo:A dull slice-of-life production
jin lin

..............page:20

Prima Donna Autentica:Italian soprano Anna Caterina Antonacci
OUTLINE / Anna Caterina Antonacci’s powerful performances have made her one of opera’s most admired sopranos;hut the singular nature of her repertory makes her almost impossible to categorize. Nevertheless;she can seem a mass of paradoxes.She tits no stereotype and no precise vocal specialty.She was an early starter yet a late developer;she made headlines in Handel and Rossini but still had the courage to reinvent herself entirely at the age of 38.Her voice defies classification;yet she can fit it to an eclectic range of music;from great mezzo roles such as Carmen to Monteverdi;Berlioz and Gluck; as well as the songs of Respighi;Chausson and Faure;to name a few.

..............page:32-35

Language barrier in opera
Hugh MacDonald

..............page:49-51

How to become an opera expert Singing in your own language(2)
Joanna C.Lee

..............page:70-71

20 shi ji zhu ming ge chang jia huo re xiao shou zhong

..............page:71

Beautiful voices of Jane Yang and Sun Yuanyuan:"Summer Night" hosted by the Tsinghua Club of Hong Kong
shi jun liang

..............page:21

Composers and the Zodiac—Virgo:The Perfectionist
hu yue fei

..............page:64-65