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Opera
1672-3821
2007 Issue 1
TIAN HAOJIANG:ROYAL CHARACTER,POETIC SPIRIT
zi yin
..............
page:20-22
na suo si fa xing tian hao jiang shou zhang du chang zhuan ji
ji er
..............
page:22
ALTHOUGH THE MUSIC CEASES,THOUGHTS STILL ECHO ALONG THE WAY
liu dong ; wang dao cheng
..............
page:16-19
JOHN ADAMS'S A FLOWERING TREE HAD ITS WORLD PREMIERE
chen peng
..............
page:11
POST-MOZART WORK TOOK VIENNA BY STORM
xue qing ying
..............
page:10
A MODERN VERSION OF"TURANDOT"WILL FINISH ITS TIME & SPACE MOVEMENT IN SHANGHAI
shao qi qing
..............
page:9
A Great Contribution to the Century-American Musicals
fei yuan hong
..............
page:37-39
Top Ten Operas based on Shakespeare
ma si jia
..............
page:30-32
Expert course
..............
page:60
Turandol:From Fable to Opera
dai wen tian
..............
page:26-29
mei gui , mei gui wo ai ni
chen ge xin ; wu cun
..............
page:52-53
20 shi ji ge ju shi shang de yuan yue
jin jian min
..............
page:57
xin wen kuai che
..............
page:54-56
he lv ting yin le ting de zhong guo ge ju zhi ye
wu li sha
..............
page:62
AnecdotalBar
sheng yun
..............
page:61
rose rose,i love you
..............
page:51
Some Thoughts on the San Francisco Opera
zhang guo yong
..............
page:43-46
Music Criticism and Travel
si ma qin ; li zheng xin
..............
page:12-15
TOTAL REALISM OF I LOVE YOU...
wei zhi
..............
page:8
THE MAGIC FLUTE:DIFFERENT APPRAISALS OF ONE PRODUCTION
..............
page:6-7
TENORS'"DIFFICULT HIGH NOTES"
ren shao ren
..............
page:58-59
The place where roses blossom
chen gang
..............
page:50-51
SHE HAS THE WORLD AT HER FEET——GERMAN SOPRANO ANJA HARTEROS
zhang xiong
..............
page:23-25
The"first loves"of Italian three operatic masters
shi fang yu
..............
page:47-49
Battlefields in Operas
lin bo jie
..............
page:34-36
Schedule
..............
page:63-64
Transcribing arias on the keyboard
li li
..............
page:40-42