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Drama-The Journal of The Central Academy of Drama
1003-0549
2014 Issue 3
tou gao xu zhi
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page:2
Reflections on Performing Talents Training and the Curriculum for Beijing Opera Performance
Guo Yuejin;
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page:5-13
On Mei Lanfang’s New Concept from the Perspective of the Stylized Performing of Ancient Costume Modern Play
Liang Yan;
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page:14-23
On “Dui” Pattern and its Cultural Features in Performing Art
Ma Guojun;
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page:24-40
The Transition of Yue Opera in the Early Period of the Republic of China
Fu Jin;
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page:41-52
The Latest Textual Criticism on the Assumption of the Open Balcony
Wang Luwei;
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page:53-60
Stanislavski’s System and the Reform of Chinese Traditional Operas
Guo Yuqiong;
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page:61-69
On Early Modern British Sumptuary Law, Social Order and National Identity from Studies on the Costumes in Shakespeare’s Plays
Hu Peng;
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page:70-81
The Cornerstone of Studies on Historical Material about Drama
Zhao Ji;
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page:82-94
Special Effects Makeup and Professional Qualities of Makeup Artists
Sun Xiaohong;
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page:95-100
Adopting Western Learning for Practical Application in China——an Analysis of the Designing Concept of a Contemporary Stage Designing Artist Xue Dianjie
Zhang Huaxiang;
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page:101-111+1+149
hao si tai tai he ta de peng you
gu ni la hai ming ; huang jue ;
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page:112-144
di yi jie shi jie xi ju jiao yu da hui zuo di san jie ya zhou xi ju yuan xiao da xue sheng xi ju jie zong shu
ma xiao ;
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page:145-148+73-76