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Drama-The Journal of The Central Academy of Drama
1003-0549
2011 Issue 2
The Relation of Roles and Characters and the Formation of Narrative Strategies in Chinese Traditional Operas
Cao Shenggao
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page:109-119
tou gao xu zhi
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page:2
Pedagogical Model of Acting-Directing Bachelor Program in the Central Academy of Drama:2002-2010
Ding Ruru
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page:73-83
A Reflection on Debates about the Idea of Theatre in Recent Years
Xu Zhen
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page:33-42
Ouyang Yuqian’s Efforts to Build a Modern National Theatre
Chen Jianjun
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page:16-24
Some Thoughts on Current Creation of Musicals in China
Man Xinying
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page:43-49
Changes of Socio-cultural Mentalities as Presented in The Wilderness
Wu Ge
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page:62-72
Sartre’s Philosophical Conception of "We" as Seen in The Respectful Prostitute
Chen Xi
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page:151-159
Action versus Reaction:A Philosophical View on Social Performance Studies
Sun Huizhu
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page:50-61
ming dai zuo ke xi xiang ji cai se tu hua shang xi
liu yuan sheng
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page:84-95,163-166
guo tu bian zai bian
qin xue ren
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page:96-103
Site Specific Performance in the West:An Introduction
Li Qian
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page:137-150,167,2
di liu jie ya zhou xi ju jiao yu yan jiu guo ji lun tan jian xun
liu xiao cun
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page:160-162
"Masters-and-Servants",Strangers,and Partners:Evolution of Playwright-Director Relations in the 20~(th) Century France
Gong Baorong
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page:128-136
Media Image of Traditional Chinese Operas in Contemporary China
Zhang Yanmei
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page:25-32
Terrace,Gou Lan and Storied-Stage
Cao Fei
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page:120-127
A Case Study of Gezai Opera
Chen Shixiong
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page:5-15
The Role of "Fu Mo" in the Song Dynasty Zaju-opera
Wang Longlin
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page:104-108