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Drama-The Journal of The Central Academy of Drama
1003-0549
2006 Issue 2
jin tong
huang zhe lun ; tang wei gen
..............
page:122-158
A Reflection upon Zhang Geng's Aesthetic Ideas on Chinese Operas
zou yuanjiang
..............
page:5-14
Recognizing Differences and Similarities: Sino-American Exchangesin Theatre in the Context of Cultural Dialogue
wu ge
..............
page:23-31
Diderot and Lessing: Pioneers of Realist Theatrical Theory
gu ronglin
..............
page:15-22
Notes on the Origin of Sumuz in the Western Region
kurban m. turdi
..............
page:98-103
li jing xian jue gui ping zheng zhao zuo ru meng fei jiang hai du hou
guo qi hong
..............
page:159-160
ying guo o ju tuan xi ju gong zuo fang sui ji
li xi jing
..............
page:116-121
Feminist Stance in the Cross-Gender Casting in Cloud Nine
liu yongjie
..............
page:59-66
Shuntai Puppet Show and the Protection of Local Operas
pan zhiqi
..............
page:89-97
Jean Vilar's Popular Theatre and the Festival d'Avignon
gong baorong
..............
page:104-115
Why Did Transvestite Drama Thrive in the Ming and Qing Dynasties
tang yu
..............
page:40-47
A Comparative Study of a Chinese and a Japanese Play
wang yan
..............
page:32-39
Notes on Flesh Puppet Show
liu linlin
..............
page:78-88
Notes on Adaptation of Fifteen Strings of Coins
fu jin
..............
page:67-77
The Art of Male Dan in Eastern-Western Cultural Exchangesin the Early 20~(th) Century
xu wei
..............
page:48-58