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Drama-The Journal of The Central Academy of Drama
1003-0549
2003 Issue 1
A Model of Mixing the Chinese and the Western Acting Techniqnes in the Hong Kong Contemporary Theatre
lu runtang
..............
page:114-120
Dialogues and Synthesize——The Preface of Triangular Dialogues:Stanislavsky,Brecht and The Chinese Traditional Opera
chen shixiong
..............
page:99-113,128
The Oriential Inspiration of the Theatrical Reform in the 20th Centry
liu yanjun
..............
page:89-98
Returning to the Perceptual Existence of Life:From the Fragmentation of Some Figure in The Peony Pavilion
li shuangqin
..............
page:138-144
lun xi ju qi yuan de xing bie zhu ti
li zhen lin
..............
page:121-128
Ten Patterns of Liaozaizhiyi Transforming into Opera:Traditional Sichuan Opera as an Example
du jianhua
..............
page:129-137
Doubting,Differentiating and Analysing:About Some Evaluation on Cao Yu's Plays
ding tao
..............
page:5-48
Towards the Other Shore of Theatre:About Gao Xingjian
chen jide
..............
page:49-61
The Epic Theatre and The Theatre of Cruelty:The Ideological Criticize of the Mo dern Theatre System
zhou ning
..............
page:62-70
Deviating form History and the Alienation
zou yuanjiang
..............
page:71-83,48
Watching Plays in the U.S.A
wang shaojun
..............
page:84-88