China Art 2014 Issue 2 THE ART ASPIRATION OF A CHINESE:CELEBRATING THE GOLDEN PRIZE WINNER OF THE FRENCH ART SALON EXHIBITION HAN YUCHEN

THE ART ASPIRATION OF A CHINESE:CELEBRATING THE GOLDEN PRIZE WINNER OF THE FRENCH ART SALON EXHIBITION HAN YUCHEN
su gao li ;

..............page:1-9+195

Foreword

..............page:12

THE POST-REALISM AND NEO-CLASSICISM
yang wei min ;

..............page:13-15

EXTREME SUBTLENESS,UTMOST GRANDNESS:OIL PAINTINGS OF XU QINGFENG
zhang zu ying ;

..............page:16-21

REALISTIC OIL PAINTINGS AND BODY IMAGES OF JIANG HUAN
peng zuo ;

..............page:22-23

THE FLOWING INTRINSIC NATURE OF ART
yan fei ;

..............page:24-25

ARTWORKS BY MO HAN
guo xiao chuan ;

..............page:26-31

SOUL RESTORATION BENEATH A TRANQUIL SURFACE
ye yuan feng ;

..............page:32-37

LONELINESS IS PRETTY
lou zhu hu ;

..............page:38-39

VISUAL EXPLORATION OF URBAN FABLES
li chao ;

..............page:40-45

BEHIND MOCKERY
chen li jun ;

..............page:46-51

THE SPIRITUAL CONNOTATION OF MYSTERY AND BEAUTY,THE ENDURING ORIGIN OF ARTISTIC SENSATION:ON ZENG CHUANXING’S OIL PAINTINGS
liu jian zuo ;

..............page:52-57

TRACES OF SOULS AND MURMURS OF OBJECTS,A SOLITARY VOYAGE:ON WANG QI’S OIL PAINTINGS
yang wei min ;

..............page:58-63

REALISM,AN IM PLEMENTATION
mao zuo ;

..............page:64-67

AN ESSAY ABOUT CREATION
wang jian feng ;

..............page:68-73

ARTWORKS BY LI XUESONG
li xue song ;

..............page:74-79

TRANSLATED REALITY:WU JINGYI’S WORLD OF IMAGES
you jiang ;

..............page:80-85

ARTWORKS BY ZHOU SONG
zhou song ;

..............page:86-91

APPROACHING REALITY
fu lang xi si ke kai wo sai rui le ; wang xi zuo ;

..............page:92-103

DIANA RATTRAY——SO NEAR SO FAR
tuo ma si w. ku en ; wang wen zuo ;

..............page:104-111

THE WORLD OF LIANGZI
wang deng ke ;

..............page:112-115

LINGLONGSHAN MOUNTAIN:GROTTO-HEAVENS,THE EPITOME OF GAINING IMMORTALITY
LIA WEI;

..............page:116-121

SPACE DISPLAY AND EMOTION COMMUNICATION OF MUSEUMS
yuan li xia ;

..............page:122-123

PHILOSOPHY ESSENCE OF MODERN LANDSCAPE PAINTINGS INHERITED FROM THE TRADITIONAL
zhang xiao hang ;

..............page:124-125

UNIQUE GLAMOUR OF FILM ART
li zong ;

..............page:126-127

THE VALUE OF SHAPES OF FASHIONABLE CLOTHING BRANDS
liu xiao ;

..............page:128-129

VISIBILITY OF INCORPORATING JAPANESE CUTENESS WITH CHINESE AESTHETICS FOR THE REVIVAL OF CHINESE ANIMATION
hu zuo ;

..............page:130-131

A STUDY OF ANIMATION EDUCATION REFORM IN COLLEGES
pan qiu si ; xu jia jia ;

..............page:132-133

EXTENSION OF CLOTHING DESIGN BASED ON CREATIVE STRUCTURES
jin run ji ;

..............page:134-135

RURAL CULTURE PROJECTED BY THE LANDSCAPE DESIGN OF SCHOOLS IN THE COUNTRYSIDE
xiao zuo ;

..............page:136-137

CREATIVE DEMANDS OF POSTER DESIGN FOR SOCIAL WELFARE
luo bo ;

..............page:138-139

VISUAL EFFECT OF MODERN GRAPHIC DESIGN STRENGTHENED BY TRADITIONAL CHINESE COLORS
gao ran ;

..............page:140-141

THE CHINESE CULTURE OF HOME REPRESENTED IN ADVERTISEMENTS
huang zuo ;

..............page:142-143

ARTISTIC CONNOTATION OF THE DECORATING PATTERNS OF TIBETAN CLOTHING
wei fang ;

..............page:144-145

TRADITIONAL COLORS IN FURNITURE DESIGN
zhao zuo ;

..............page:146-147

THE IMPACTS OF INTERACTIVE TECHNIQUES AND MATERIALS ON METAL MOLDING
zeng yong ;

..............page:148-149

ELEMENTS OF FOLK ARTS IN THE CLAY ANIMATION SERIES "THE THREE STORIES OF FILIAL PIETY OF XIAOGAN"
du zuo ;

..............page:150-151

DEVELOPMENT OF CULTURAL CREATIVE INDUSTRY OF LONGNAN
zuo lei ;

..............page:152-153

REPRESENTATION OF THE PAINTING LANGUAGE OF MODERN WESTERN WORKS
yang shuo ; zhao qing feng ;

..............page:154-155

AESTHETIC DIFFERENCES BETWEEN CHINESE AND WESTERN CLASSICAL ARCHITECTURE PAINTINGS
hu ze hua ;

..............page:156-157

THE PRACTICE OF LV FENGZI’S TEACHING PHILOSOPHY IN CHINESE PAINTING EDUCATION
zhu peng ju ;

..............page:158-159

CAVE PAINTINGS OF DATONG,SHANXI
chen chong ;

..............page:160-161

A STUDY OF AESTHETIC CONCEPTS OF THE NORTHERN ETHNIC MINORITIES BASED ON ROCK PAINTINGS OF YINSHAN
guo xiao ying ; wu lan tuo ya ;

..............page:162-163

THE GREATEST COMMON DIVISOR OF TRUTH AND MEMORY
xia li jun ;

..............page:164-166

QUESTIONS ARISING FROM "LUN HUATI GONGYONG TAXE" BY ZHANG YANYUAN
lu zuo ;

..............page:167-169

ARTISTRY AND PRACTICABILITY OF FELTING FIBER
shen li ;

..............page:170-171

PRINCIPLE AS SOUL,POSITIONING AS ESSENCE:THE FOUNDATION OF ART IN CHINA
yang hui lai ;

..............page:172-174

THE 60^TH ANNIVERSARY EXHIBITION OF THE AFFILIATED HIGH SCHOOL OF THE CENTRAL ACADEMY OF FINE ARTS

..............page:176-177

SOLICITOUS DIMENSIONS:CONTEMPORARY INK-AND-WASH EXHIBITION OF SIX ARTISTS

..............page:178-179

ROAMING FREE,EASE OF MIND:JIAO YANG’S SOLO EXHIBITION

..............page:180

BOUNDLESS:SOLO EXHIBITION OF YAN JIAWEI

..............page:180

MICRO INFINITY:SOLO EXHIBITION OF QU QIANMEI

..............page:181

THE MEMORIES OF MOUNTAINS AND RIVERS:EXHIBITION OF HAN CHAO’S WASH-AND-INK PAINTINGS

..............page:181

shi xian
ming feng ; a xin ; lan zi ; wei min ; xiao ding ; li wen ;

..............page:182-183

yu wai chuan zhen
ming feng ; a xin ; lan zi ; wei min ; xiao ding ; li wen ;

..............page:184-185

yu wai chuan zhen
gong zhi yun ;

..............page:186

ARTWORK BY WANG XIN
wang xin ;

..............page:187

ARTWORKS BY XUE JIYE
xue ji ye ;

..............page:188-189

ARTWORK BY ZHANG WEI
zhang wei ;

..............page:190

ARTWORK BY HU QIUXIA
hu qiu xia ;

..............page:191

ARTWORK BY ZHAO ZHONGJIE
zhao zhong jie ;

..............page:192

ARTWORK BY SHANG YI
shang yi ;

..............page:193