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Journal of Beijing Film Academy
1002-6142
2011 Issue 2
As A Form of Reality: Another Narration of Revolutionary Historical Myth
An Yan
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page:12-16
xin xi dong tai
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page:51,107
Co-Production and "Made in Hong Kong": Hong Kong Film in 2010
Liu Hui
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page:45-51
Postmodern Elements in Contemporary Chinese Comics
Zhou Yanni
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page:23-26
Auteur or Skillful Writer: On Zhang Ailing\'s Scripts
Zhang Chengyu
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page:61-65
Cultural Paradigms in Film Narrative Space
Hai Kuo;Luo Yaoshen
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page:66-72
The Yuanyang Hudie Literati and Development of Modern Chinese Film
Li Bin;Cao Yanning
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page:54-60
On Symbolic Image System and Deconstructive Image System
Huang Lin
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page:73-78
An Comprehensive Research on Western China Urban Film Development: Based on A Case Study of Xi\'an City
Wang Peng
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page:38-44
On the Cultural Meaning of Ge You and the Realistic Imagination in Let the Bullets Fly
Zhang Huiyu
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page:98-104
Analysis of Chinese Film in 2010: A Scriptwriting Perspective
Meng Zhong
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page:32-37
Lost in Nirvana: On Buddha Mountain
Tu Yue
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page:104-107
Aesthetic Value of Mongolian Realistic Film in New Century
Zhang Songbin
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page:27-31
Image of Female Body and the Cultural Imagination of Modern China
Yang Zi
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page:17-22
Historical Development of Commercial Documentary
Wang Dapeng
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page:79-86
On Documentaries Produced by Wu Yifeng and Full shot studio
Luo Yiying
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page:92-97
A Comparative Study of American and Chinese Documentaries
Han Xuezhou;Zhao Yiran
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page:87-91
The Reflective of Cultural & Value System in Chinese Film Text in New Decade
Wang Kaiqing;Li Zupeng
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page:1-4
Domestic Commercial Film and Stars in Middle-Class Myth
Yang Liu
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page:5-11