1002-6142
1991 Issue 1
..............page:1-3
On Film Performance and its Teaching
Liu Shibing
Liu Shibing
..............page:4-18+194-195
On Genre Actors
Zhang Jiandong
Zhang Jiandong
..............page:19-29+196-197
On the Creative Ability of Film Actors
Qi Shilong
Qi Shilong
..............page:30-37+198-199
On the Imitation of Senses
Ding Mu
Ding Mu
..............page:38-48+200
The Linkup of the Spirits
Li Ranran
Li Ranran
..............page:49-60+201
The Expressive Ability of Body Movement
Hou Jinan
Hou Jinan
..............page:61-68+202-203
..............page:69-78+204-205
..............page:79-90
dang qian dian ying biao yan he biao yan jiao xue xue shu tao lun hui zong shu
ben kan te yue ji zhe ;
ben kan te yue ji zhe ;
..............page:91-96
On E. Ingmar Bergman’s Views of Performance
Lin Hongtong
Lin Hongtong
..............page:97-110+206-207
"Method" and Method
Liu Ying
Liu Ying
..............page:111-117+207-209
Developing the Charm of the Self through Role Portrayas
Guo Xuxin;Lin Hongtong
Guo Xuxin;Lin Hongtong
..............page:118-127+210-211
On Intuitionist Performance in Film
Song Chunli;Qian Xuege
Song Chunli;Qian Xuege
..............page:128-139+212-213
..............page:140-158
..............page:159-168
..............page:169-170
..............page:171
she ying jing tou de xing neng yu xuan ze rong huo quan guo di 4 jie jin yue chi you sheng jiang
a hui ;
a hui ;
..............page:172
..............page:172-174
..............page:174
..............page:175-176
..............page:177-178
..............page:179-180
..............page:181-182
..............page:183-188
..............page:189-193
..............page:214-217