Journal of the Central Conservatory of Music 2010 Issue 3 The Psychological Essence of the Aesthetic Expectation in Music

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Journal of the Central Conservatory of Music
1001-9871
2010 Issue 3

The Psychological Essence of the Aesthetic Expectation in Music
zheng mao ping

..............page:126-136

The Structure of Chuan Haozi(Two Interlacing Texts in One Tune)
zuo li

..............page:77-80,86

Professor Guo Shuzhen\'s Educational and Artistic Achievements in Supervising La Clemenza di Tito, La Traviata, Die Zauber Fl(o)te, Madam Butterfly, and Eugene Oneigin\'s Performances
wu yan

..............page:119-125

The Fieldwork and Thoughts on the Folk Song Ali of the Huayao Branch of the Yi People in Shiping County,Yunnan Province
su yi miao

..............page:87-100,136

Erblühende Zweige. Westliche klasische Musik in China

..............page:137-138

The Pedal Line Technique in Magnus Lindberg\'s Cantigas and Fresco
zheng gang

..............page:69-76

Suona Master Ma Zigang:A Case Study of Musician as the Main Part of the Regional Music Culture
ban jun rong ; wu guo dong

..............page:81-86

The Chronicle of Cheng Wujia\'s Life(1902-1985)
jia zuo

..............page:28-35

Exploring the Perceptual Logic of Music through the Springy and Lyrical Touch of the Piano-Playing
qin chuan

..............page:108-118

Thinking after Taking Summer School of Ikuta Koto in Geijutsu Daigaku
zhang yu zuo

..............page:101-107,125

Folk Song and Consoling the Soul of the Deceased:The Interaction of the Folk Singing Masters of the Wudang Mountain with the Society and the History

..............page:142-144

A Study of the Dance-Music Culture along the Tibet-Yi Corridor

..............page:138-141

Wuchujing ("Five Kitchens" Scripture)and Fengduzhou ("Yama\'s City" Mantras): Two Taoist Chanting Tunes Emerged in the Southern Song Dynasty
pu heng qiang

..............page:3-12

Ye Xiaogang\'s Linquan(Spring in the Wood)for Zheng Solo: An Analysis
shen yun fang

..............page:58-68

Steve Reich\'s Music for 18 Musicians(1976):An Analysis
yang zuo

..............page:36-48

Selective Transcriptions from Suijin Cipu(the"Fragments of Gold"Collection of Ci Poem Tunes):A Study
dai zuo zuo

..............page:13-27,48

The Form of Ji Quanhao\'s Pipa Concerto The Impression of Beijing Opera and the Composer\'s Conception:A Study
dong rong

..............page:49-57