Chinese Music 2002 Issue 4 gui qiao zhi xin cong qiu xiao zuo min zu sheng le gang qin ban zou yin le hui tan qi

gui qiao zhi xin cong qiu xiao zuo min zu sheng le gang qin ban zou yin le hui tan qi
zhou wei min

..............page:28

yin le biao yan zhong de mei xue zhui qiu
tian guang ming

..............page:56-57

qian yi sheng le jiao xue zhong de ji ge wen ti
shi min

..............page:65,68

er hu qian jin gai ge de hui gu yu zhan wang
zhang han qiu

..............page:55,57

guan yu da ti qin chi gong de ji ge wen ti
liu jian hua

..............page:63

zhong guo zhu di jiao xue tan tao -- hu xi huan qi fa xun lian tan
dai yuan dao

..............page:66-68

Interpreting the piano composition "Mei Hua San Nong" (梅花三弄)
Yang Jing

..............page:71-74

On the artistic qualities of banquet music and "Hua Er" (花儿)
Guo Dehui

..............page:40-42

The features of nonsense syllables in songs of Yao nationality in South Hunan
Lu Liangming

..............page:37-39

"Yin Niu Si"(银纽丝)in Pu Songling's "Li Qu"(俚曲) (1)
Liu Xiaojing

..............page:23-25,46

The school of "Ling Bao"(灵宝派) :The chief vehicle of musical tradition in Taoist ceremonies
Pu Hengqiang

..............page:11-15

A comparative study on the functions and expressional characteristics of music in Opera and "Xi Qu" ( 戏曲 ) ( 1 )
Sun Yunwen

..............page:16-19,76

Some thoughts on Sino- Western comparative studies of music
Pu Hengjian

..............page:1-3,15

Music with words and music without words: Aesthetic reflections on the connections and transformations between vocal and instrumental music
Huang Hanhua

..............page:4-10

A tentative study on "Duo Ye"(多耶) in folk songs and dances of Dong nationality
Pan yonghua

..............page:35-36

qian tan sheng le yan chang yi shu de ge xing hua
zhao qing

..............page:47-48

zong he su zhi pei yang zai sheng le jiao xue zhong de zhong yao xing
wang shi kui

..............page:64

wo dui min zu sheng le chuang xin fa zhan de jian jie
zhang xiao ( nv zuo )

..............page:77-78

My opinions of ethno- oriented singing
Wang Lei

..............page:45-46

Main issues in the articulation skills training of ethno- oriented singin(1)
Guo Xiangyi

..............page:61-62

In search of rendering style: The aesthetic features of ethno- oriented singing
Guo Jianming

..............page:20-22

tiao kuai fen xing xin dong fang yin le ji qi ta -- yin le chuang zuo duan xiang
cao guang ping

..............page:69-70

zhu ming ge chang jia zuo qu jia yin le jiao yu jia ying shang neng jiao shou ( jian jie )
zhong guo yin le xue yuan xiao you hui

..............page:78

The tendencies of Mr. Ying Shangneng's musical composition
Zhang Chou

..............page:75-76

Impressions on the ethnomusicology program at University of Hawaii
Zhao Hongrou

..............page:31-34

The development of ethno- music and school music education: An interview with the renowned Er Hu player Min Huifen
Fan Rong

..............page:51-53

Comparisons of Sino- Japanese education in traditional music
Xu Yuanyong

..............page:29-30,34

Ways for music appreciation to be chosen
Qiu Yang

..............page:26-28

ting sui jing shan zuo na yin le hui zhi sui xiang
liu yong

..............page:54

shi lun zhuang zu duo sheng bu min ge zhong tong yin lie fu he diao shi zhi te dian
wang xiao kun

..............page:58,74

Temple music and "Eight Temple Treasures" in Chao Zhou
Huang Weiqi

..............page:59-60

The origin and development of "Lanzhou Gu Zi"( 兰州鼓子 )
Kang Jianming

..............page:43-44,60

shao xing lian hua luo de yin le feng ge chu tan
li qiang

..............page:49-50,53