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Journal of Chinese Lacquer
1000-7067
2013 Issue 3
qi yi zhi mei hui hua zhi jing sheng ming zhi ge
zhou jian shi ; liu heng zhi ;
..............
page:44-47
Brief Analysis on Aesthetic Characteristics of Fissure Art in Seven-Stringed Zither
Guo Lei;
..............
page:23-26+29
min nan te se qi yi cai shi qi xian diao
..............
page:56
“The Beauty of Chinese Lacquer“and”Lacquer art Aesthetics"——On First Reading Modern Lacquer art Aesthetics
Hou Linhui;
..............
page:50-52
A Book Treasures Lacquer Character and Its Art Miracles——To Chinese Lacquer and Chinese culture
He Haoliang;
..............
page:48-49
shi er wu guo jia zhong dian tu shu xiang mu < zuo shi lu > yu dong ya qi yi chuan tong zuo shi gong yi ti xi yan jiu ji jiang chu ban
ben kan tong xun yuan ;
..............
page:35
da qi yu zhong guo wen hua chu ban fa xing
ben kan tong xun yuan ;
..............
page:29
Lacquer Painting’s Revolution: The Changes of Modern Lacquer Art in Vietnam
He Zhenji;
..............
page:36-40
Study on the Extraction Condition and Physicochemical Properties of Lacquer oil
Yang Kaitai;Fu Shangwen;Li Junyan;
..............
page:33-35
Study on Self- Assembly of Urushiol-Lead Polymer Prepared by Grinding Method
Xu Yanlian;Luo Zhen;Lin Jinhuo;
..............
page:30-32
On Korean Contemporary Lacquer Art Beauty and Its Cultural Position
Pan Tianbo;
..............
page:9-14
ba qi chan ye zai fa zhan
zeng wei quan ; mao chang yong ; li ming you ;
..............
page:41-43
Interpretation of Lacquer Crafts in QingDaiJiangZuoZeLi
Chang Bei;
..............
page:15-17
Tradition Inheritance and Contemporary Value Analysis of Engraved Gray Craft
Cai Wen;
..............
page:1-8
jie qi yi hua cai xing he zuo gong ying xi an sheng qi tu liao yan jiu suo can jia 2013 zhong guo ( ping yao ) di si jie qi wen hua yi shu bo lan hui shou huo po feng
zhang rui qin ;
..............
page:52
Preparation and Purification of Saturated Urushiol
Zhang Ruiqin;Li Dongxu;He Na;
..............
page:27-29
Discussing on Lacquer LianToilet Boxes Roughcast in the Warring States Period,Qin and Han Dynasty-also Evolution of Lacquer Roughcast
Liu Fangfang;
..............
page:18-22