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Art of Music
1000-4270
2001 Issue 4
yin le yi shu 2001 nian di 1 4 qi zong mu lu
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page:95-96
Flowing Soundscapes and Ethnomusicology at Home: Comment on Shelemay's Soundscapes - Exploring Music in a Changing World
tang ya ting
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page:91-94
Piano's Situation in the Twentieth Century
liang jing
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page:88-90
Zhong-he: Xunzi's Concept of Being Moderate and Harmonious as Reflected in His Music Aesthetics
ou jing xing
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page:85-87
Problems Coming from the Composition for Chinese Traditional Instruments: 1950s-1970s
xu jian qiang
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page:82-84
Study of Computor Music Thinking
tao xin
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page:76-81
Change of Taste in Contemporary Songs: An Aesthetic Description
liu shi lin
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page:73-75
Evin Schulhoff and His Third Piano Suite for Left Hand
chen xue zuo
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page:69-72
Xenakis's Jonchaies (1977) : Musical Characteristics
zou xiang ping
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page:64-68
Echoes from the Silk Road: Yang Liqing's Dusk in the Desert for the Alto Huqin and Orchestra
guo shu zuo
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page:56-63
Comment on Xu Mengdong's Doctoral Dissertation Study of the Twentieth -Century' s Passacaglias
peng zhi min
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page:48-55
Behind the Transcription Systems: A Fresh Look At Chinese Tablatures
lin you ren
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page:44-47
Back to the Sources of Qin Tunes: Normal Tuning for the Qin
ding cheng yun
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page:40-43
Calculation of Qin Hui: Forward and Backward Procedures
zhao song guang
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page:34-39
Western Music as Described by the Persons Involved in the Westernization Movement at the End of the Qing Dynasty - A Section from Chinese Modern Music History
chen zuo qun
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page:23-33
Survey of the Forum on the Release of Qian Renkang's Origin of School Songs
zou yan
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page:22-22
School Songs: Outcomes of Study and Mastery of Western Tunes
chen zuo qun
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page:19-21
Origin and Development of the Loan Tunes of School Songs
qian ren kang
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page:18-18
Sketch of the Musician Ding Shande (1911~1995) - Thoughts from The Memorial Picture Album of Ding Shande
dai peng hai
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page:6-17