Explorations in Music 2011 Issue 3 On Sound Text and Symbol Text of Playing Erhu

On Sound Text and Symbol Text of Playing Erhu
Qiu Bo;Wang Yan

..............page:64-66

On the Relationship between Living Space and Stage-performance
Zhu Meiling

..............page:128-130

On A Dance with Accompaniment on Wedding Performed by Turkmenistan National Song and Dance Ensemble
Li Zheng

..............page:71-72,77

A Summary on Chinese Cello Music since the New Age
Zhang Haimin

..............page:142-144,109

On Characteristics of Basic Skills Training of Chinese Classic Dance
Li Wei;Ren Fang

..............page:131-134

To Discuss the Significance and Effect of Exhibition of Primitive Sogs as well as Several Kinds of Cultural Protection and Inhe[itance Patterns of Minority Nationality\'s Music in Yunnan Province Simultaneously
Yang Minkang

..............page:9-13,21

A Study on Evaluation System of Scientific Research on Music in Colleges
Yu Guangrong;Li Meng;Chen Dabo

..............page:125-127,120

On Multi-dimension of Studying Music Aesthetics
Chi Jinjing

..............page:49-56

On the Misunderstandings of Bei canto in China and Its Technique Standards
Chen Guangjian;Tan Chunyan

..............page:130-139,56

On the Definition and Cognition of Primitive Songs
Xiang Yang

..............page:22-24

On Music Aesthetics of Deconstruction
Song Jin

..............page:37-48

A Brief Discussion on Morphological Study about Traditional Music in Tibet
Chen Wan;Chen Jun

..............page:84-86

On the Diversification of Living Pattern of Primitive Songs under Contemporary Circumstance-to Take Fifty Pieces of Network Informationas Examples
Xiu Hailin

..............page:14-21

To Re-discuss the Primitive Music
Sangdenuowa

..............page:25-29

An Analysis on Performing the Arrangement of Piano Suite - Nutcracker
Bao Tiantian

..............page:104-106

Thinking Model on Chinese Music Embodied in Luogujing and Its Circulation Pattern
Peng Yu

..............page:73-77

A Discussion on the Changes of Shield Dance in Yongxin
Fu Limin;Li Xiaobin

..............page:67-70

An Aesthetic Topic on Primitive Sound for Discussion-the Mark of Sound and Pattern of Sound
Wu Rongshun

..............page:30-33

A Discussion on the Nationalization- orientation of Chinese Piano Music
Fang Yuemin

..............page:107-109

To Promote the Communication,Inheritance and Protection of Intangible Cultural Heritage on Music
Fan Zuyin

..............page:7-8

A Brief Discussion on Debussy\'s Psychology during the Process of Composing Piano Music
Mao Xiaoying

..............page:91-93

On the Accomplishment of Singers Who Participate in International Vocal Music Competition by Taking Concorso Internazionale per Cantanti Lirici, Citta Di Alcamo as An Example
Li Qiuyu

..............page:135-137,141

A Sketch of Guqin Music from Aspect of Ecological Aesthetics
Tian Yali

..............page:61-63

To Protect Intangible Cultural Heritage by Taking Mianyang Art Academy of Sichuan Conservatory of Music as an Example
Yong Dunquan

..............page:34-36

On the Structure of Melody Rule of the Hans’ Folk Songs in
Sichuan

..............page:78-83

To Seek Practical Results on the Integration of Art Education
Yang Heping

..............page:121-124

On ang Guangqi and Chinese Music Bibliography
Sun Xiaoli

..............page:3-6

On the Skill and Accomplishment of Erhu Performers
Li Ling

..............page:140-141

Several Viewpoints on the Security System of Education Quality of Chinese Music Teachers
Dai Baisheng

..............page:117-120

To Criticize the Song for Mao Zedong during the Early Period of Establishing the People\' s Republic of China
Feng Chunling;Feng Changchun

..............page:87-90

On the Sequel of Composing Fugue -Free Counter-subject
Li Zhongyong

..............page:94-103,134

A Discussion on the Music Traits of Aria, Ves\'Tabor spic
Pen Jianping

..............page:110-112

On the Characteristics of Collage in Cershwin\'s Rhapsody in Bluse
Jiang Lin

..............page:113-116

On the Deconstruction of Multiple Personality of Chopin
Zheng Yuzhang;Qianfang

..............page:57-60