Arts Exploration 2009 Issue 2 The Run-through and Meaning of Euro-Asean Grassland

The Run-through and Meaning of Euro-Asean Grassland
XU Ying

..............page:5-15

The Influence of Scythians and Some Other Culture to Ordes Style Bronze Ware of Bird(Head) Pattern
CHI Xin

..............page:16-20

Research on 13-14 Century Tibet Qiwugangba School of Painting
FAN Jianqiu

..............page:21-23,30

A Preliminary Study on Puche Toy Wagon of Han Dynasty Stone Carvings
WANG Wei

..............page:24-26,28

zhong guo ren wu hui hua fa zhan shi shang de li cheng bei lun gu zuo zhi ren wu hua " yi wen cheng shi " de que li
yang jing jing

..............page:27-28

fan kuan de shi cheng yu chuang xin wen ti xin kao
jiang yan wen

..............page:29-30

Clothing in the Han Xizai Evening Banquet
XU Xiaobing;WEN Jianjiao

..............page:31-33

ni te zhi bian kang zhan qian hou ni zuo de xian dai hui hua li lun tan xi
xie ming xing

..............page:34-35

yin xiang zhu yi de zhong guo zuo shi 20 shi ji qian qi xi hu ti cai you hua
lin pei pei

..............page:36,40

Sacred Write----The Image of Man in Mediaeval Art from Semiotics and Iconologist
CHEN Hongke

..............page:37-40

dian xi bei fu mao de min jian zao wu si xiang chu tan
zhou ding ; liu jian li

..............page:41-42

Physiognomy and Research on the Theory of Traditional Chinese Figure Painting and its Application
HUO Hongyan;WANG Fei

..............page:43-46

Chen Hongshou's Theory about Studying from Old and "A Combination of Different Opinions "
WU Zili

..............page:47-49

cong she hui xue kan zheng ban qiao yi shu si xiang
wang ping jun

..............page:50-51

xin jiang mei shu chuang zuo de di yu xing yu xi yu hua feng de que li
li kai rong

..............page:52-53,55

wang luo mei shu qun ti : wu qiang de mei xie
liu chang yu

..............page:54-55

xin mei ti yi shu yu shu zi ji shu jie gou bei jing ao yun kai mu shi
wen si hui

..............page:56-57

xi tong lun shi ye xia dui xin yi shu yun dong de zai ren shi
zhang hui wen

..............page:58-59,62

The New Revolution of Creating God and the Magiclism of Modern Art
ZHOU Dun

..............page:60,64

dang dai you hua de yu shi zhuan huan yu wen hua shen fen que ren
wang yu li

..............page:61-62

zhong guo you hua de xian dai xing zhui qiu
qin zuo

..............page:63-64

fa xian tian zhen zhi yan er tong hui hua yu xian dai hui hua
gong fu heng

..............page:65,70

lun fu li de li xi dui wei lai hai yang jing guan fa zhan de qian zai jia zhi
tian jie ; yao kai

..............page:66

lun xin shi dai qi che she ji zhong de xing tai mei
li jun hua

..............page:121,123

ping yi xian di fang zhen huan jing she ji sheng tai fen xi
zhang qun

..............page:122-123

su zhou yuan lin he kun qu de gong tong mei xue jia zhi
li zuo

..............page:124,126

kai fang chuan bo hu dong xian dai guang gao yu wang luo mei ti de jiao hu rong he
yang hong

..............page:125-126

hu wai guang gao ji qi biao xian xing shi
wei ke jing

..............page:127,129

wo guo hu wai jia ju de gong gong yi shu xing
yu wen long ; zhang xun

..............page:128-129

xin sheng cha hua zhong de mu yu wen hua
zhang yan ; fan hai yan

..............page:130,132

Contrastive Study between Chinese and Western Animation Art
QI Feng;ZHANG Yonghong

..............page:131-132

qian xi " fu shi hui " zhong de " fu shi "
deng wei liang

..............page:133

lun xian dai can ju she ji
zhao hui zuo

..............page:118-120

cong cai liao de yun yong kan zhong guo ran zhi gong yi de fa zhan
wang zuo zuo

..............page:116-117

lun qi pao de " cuo cai zuo jin " yu " chu fa zuo rong " zhi mei
peng bo ; zhu he hu ; wang mei yan

..............page:114-115

zhan shi she ji zai jing ji she hui fa zhan ji qi she hui gong gong xi tong zhong de gong neng tan xi
li cheng rang

..............page:111-113

lun jie mian she ji de ren xing hua biao da
xie dan ; jiang xiao zuo

..............page:109-110

yong hu ti yan yu shang ye wang zhan de she ji zhan lue tan wang ye she ji shi de jiao se
zhou zhi peng

..............page:106-108

wen zi zai bao zhuang she ji zhong de biao xian xing shi
zhang zhong zuo ; zhang li bo

..............page:105,108

mei shu zi ti de chuang yi she ji yan jiu
chen jun

..............page:104,110

chan pin zheng he she ji mo shi ji qi ying yong yan jiu
wang xiao jie

..............page:102-103

rong gu zhu jin : chuan tong she ji li nian yu dang jin chan pin she ji
wu yu zhou

..............page:101,103

shi yi de si xiang jie du mo lan di
wang zuo

..............page:99-100

dong zu min ju jian zhu te se ji qi wen hua nei han tan xi
xia zuo ; tang wen

..............page:81-82

yao fu shi tu an de mei xue te zheng yi guang xi nan dan xian bai ku yao wei li
wang xiao ying ; xu jian de

..............page:80,85

yi zu zhuang shi tu an zai fu shi zhong de ying yong yu fa zhan
lian zuo ; xu jia

..............page:78-79

yun nan bai zu yin shi yi shu de wen hua te zheng
chen hong mei ; xu jia ; chen liang

..............page:76-77

qian tan hua lang ye de tou zi fang xiang
ke yu yang

..............page:75,79

The Contradiction between the Industrialization and Localization of Xiamen Oil Paining Industry
JIN Limin

..............page:73-74

Rethinking of the Development of the History of Fuzhou Lacquerware during 1980s
HUANG Jingjing

..............page:71-72

sheng tai ke cheng jiao xue zai huan jing yi shu she ji jiao yu zhong de zuo yong
wang zuo zuo ; ding ning ; peng dong mei

..............page:69-70

jiao yu guo ji hua yu jing xia wo guo gao xiao mei shu jiao yu fa zhan xin qu xiang
weng li fen

..............page:67-68

Important Achievement of Chinese Art and Chinese Aesthetics Research
HOU Hongtang

..............page:134-139,145

Zen: the Essence of Painting----Review of Study of Shi Tao by Prof. Zhu Liangzhi
ZHU Luxin

..............page:140-145

New Breakthrough in the Research of Bada Shanren----Comments on Zhu Liangzhi's Exploration in Bada Shanren
WANG Jingfen

..............page:146-147,149

wo zuo zhu liang zhi xian sheng shu
zhang xia yun

..............page:148-149

Relation between the Landscape Painting of Poussin and Cessane
SHAO Tianhua

..............page:98,100

jing zuo de kong jian , shi yi ban de yi jing wei mi er de hui hua yi shu
jiang shao ping

..............page:96-97

lun ka la wa qiao de hei an xie shi zhu yi
zhang yi ; li yan qing

..............page:95,97

Self-portrait Comparison between Rembrandt and Jinnong
LI Yan

..............page:94

lun wang yi ting hui hua yi shu de shi cheng yu fa zhan
zhou wen zuo

..............page:92-93

qi wan zuo ran de mei zuo shou ping bi xia de mei gu hua hui
zhang peng fei

..............page:90-91

zhong guo hua se cai di wei de bian hua he shi dai te zheng
dong you guo

..............page:89,91

di fang te se yi shu de cha yi dui lu xiu yu su xiu de ying xiang
zhou lei

..............page:87-88

zhong guo gu dai wa wen de xiang zheng yi yi
zhang yong hong

..............page:86

huai yang " ni ni gou " de min su wen hua te zheng tan xi
meng qing hong

..............page:84-85

Research on the Aesthetics of Qingyang Cave House
LIU Xueshen;SONG Kuiyan

..............page:83,88