Arts Exploration 2009 Issue 1 Follow the Times——On the Evolution of the Aesthetic Conceptions of the Animation Images

Follow the Times——On the Evolution of the Aesthetic Conceptions of the Animation Images
LIU Jingtao

..............page:153,155

lun dong hua shou zhong de shen mei xin li
wang miao miao ; zhou fei die

..............page:154-155

Dicussion on the Market Development of Product Placement in Network the In-game Advertising
LUO Yi

..............page:151-152

hu wai guang gao she ji zhong dui cheng shi huan jing de kao lv
zheng yu mei

..............page:149-150

zhong guo guang gao zuo na di yi jin ce ping yan jiu a di da si 08 ao yun ying shi guang gao ce ping yan jiu
yuan zuo rong ; liu xuan ru ; liu da wei

..............page:147-148

The Mirror Reflection of Advertisement
WANG Fen

..............page:146,150

xiang tu jian zhu wen hua duo yang xing de bao hu yu fa zhan yi yun nan sheng cun zhen min ju jian zhu wen hua duo yang xing wei li
cui zuo ; yang da yu

..............page:143-145

fu hao yi yi de biao da yi qi che chan pin wei li
bai han zhi ; chen chu yun

..............page:141-142

Exploration in the Reason of Popularity and Trend of Sexy Lingeries
SUN Enle

..............page:139-140

qian tan zhong guo chuan tong fu shi gong yi yuan su zai xian dai fang zhi fu zhuang ye de yun yong
chen hong shan

..............page:138,142

cheng shi biao shi xi tong she ji
nie yu mei ; hu wei ping

..............page:136-137

bo li zai jian zhu zhuang shi de yun yong ji qi wen hua shu xing
jiao li qiang

..............page:135-135

gao jia qiao di ceng se cai de xuan ze yi shang hai zhong shan bei lu gao jia qiao cao yang lu wu ning lu duan di ceng wei li
guo ying long

..............page:134,137

hu wai xiu xian yi yu xian dai sheng huo xiang he xie de tan tao
qu wei

..............page:132-133

The Water Landscape and Traditional Culture
ZENG Lei;YU Ming

..............page:131,133

jiu dian ke fang shi nei she ji zhong yun yong zi ran guang de yan jiu
jia si zuo

..............page:129-130

jia ju she ji feng shui lun
zhang shao hua

..............page:127-128

A Comparative Study of User Interface Design of Children Website between Home and Abroad
FAN Cuifang;HU Jin

..............page:125-126,128

The Special Position and the Reasons for Animal Images in Designing Children's Products
LIU Manman

..............page:123-124

he zhi yi jing tai ji tu "s" xing de xian dai she ji guan nian
liu min ; liu lin

..............page:121-122

Tentative Study of the Product Design Based on the Tactile Experience
ZHOU Rui

..............page:119-120,122

you jiao hu chan sheng de xing fu gan ji qi dui chan pin she ji zhi yi yi
lu ming ; li shi guo

..............page:117-118

On the Paiting Styles of Cathlin's Works
CHEN Wei;HOU Jiming

..............page:116-116

xi le zuo pin zai yi shu shen mei shang de xin zhui qiu
wang hai yan

..............page:114-115

men shen hua yi shu te zheng yan jiu
zhu jie ; wang jia min

..............page:113,115

gao mi pu hui nian hua de li shi fa zhan ji zhi zuo gong yi
ge han qing ; ou yang ju bo

..............page:111-112

qian lun ming dai gong ting ren wu hua
zhu hong zhen

..............page:109-110

Analysis of the Formation Reasons of Style of Beauty Portrait in Tang Dynasty
WANG Wenyue;DONG Suna

..............page:108,110

gao xiao yi shu she ji jiao yu xian you wen ti de fen xi
li bin ; zhang lei

..............page:95-96

Taking History as the Reference——Exploration into the Overall Goal and Root of Existence of Modern Fine Arts Ed-ucation
GUO Jun

..............page:94,96

Brief Anlysls of the Current Curriculum Setup and Teaching of the Major of Fine Arts Education
LI Fen

..............page:92-93

ben ke yuan xiao shi fan lei mei shu xue ren cai pei yang fang an gai ge yu shi jian yi heng yang shi fan xue yuan wei li
ye jing wen

..............page:91,93

The Exploration of the Color Language Form of the Chinese Painting with Meticulous Detail
BAI Xiaowei

..............page:103-107

a fang gong xu ni man you dong hua ke xing xing fen xi
yang xiao ; wei kai

..............page:156,158

mei guo dong hua jiao se zao xing tu jie shi de shi jue te xing
zhang jing ; sun bin

..............page:157-158

wei meng jing er she ji : tu xiang shi dai de chan pin shi jue xing xiang
wu yu zhou ; zou xiao song

..............page:159,164

bao zhuang xiao guo tu dian nao biao xian ji fa qian xi
yuan hai ming

..............page:160-160

you guan zao xing yi shu zhong de " bian xing " tou shi jie po xue he shi jue ge ming
lan jian

..............page:161-162

she ji yi shu zhong de mei shu ji chu
bai li

..............page:163-164

Female' Script and "Eight Corner Decorations" Design
ZHOU Feizhan

..............page:102,107

On the Origin and Content of Brash Styles of Chinese Cal-ligraphy
Li Songpeng

..............page:100-101

Chinese Seal Arts and Ancient Characters
SHI Yipin

..............page:99,101

Discussion on the Children Fine Arts Education against the Background of Multi-Cultures
LIU Hongbo

..............page:97-98

There is no War in the Art——Analysis of the Reason Why There is a few War Paintings in China before Ming and Qing Dynasty
Guo Wenfang

..............page:20-22

The Development of Chinese Buddists Painting after the Five Dynasties with the Figure of Arhat
GONG Mingyu

..............page:15-19

Research on the Painting Style of Illustration of the Printworks in the Ming Version of Pipa
ZHOU Liang

..............page:8-14,19

The Shangzhou Bronzeware Impreza Character and the Dermatoglyphic Pattern Commonality
MA Lihua

..............page:38-39

Delaroche's Breakthrough——A Case Study on the Style Transition of French Historic Painting on the 1st Half of the 19th Century
YUAN Yao

..............page:34-37,39

Activities of Fine Arts Groups during the Late Qing and Early Republic of China and their Meaning in Fine Arts History
WANG Qing

..............page:29-33

The Origin of Finger Paintings
PENG Peng

..............page:25-28

"New Females" and Their Serf-portraits in the First Half of 20th Century
SHAN Xueping

..............page:23-24

Research on the Style Tibetan Tangka Painting from 10th to 13th Century
FAN Jianqiu

..............page:5-7

lue lun huang ge sheng de yi shu jiao yu si xiang yu dui zhong guo hua xue ke jian she de jia zhi yi yi
yu yong jian

..............page:86-90

"dang dai di yu mei shu yan jiu quan guo yan tao hui " ji yao
chen hui ; zhao xian xian ; zhou guo zhu ; mou peng peng ; li chen hui

..............page:71-85

"dang dai di yu mei shu yan jiu quan guo yan tao hui zuo di liu jie quan guo yi shu yuan xiao mei shu xue bao nian hui " zong shu
li chen hui

..............page:67-70

An Analysis of the Life and Death Theme of Vienna's "School of Separatists"
YANG Ye

..............page:65-66

The Significance of The Palais Stociet in the Art Nouveau Movement
LI Liying

..............page:63-64

guan zhi you qu , shou zhi you yi gong gong yi shu chuang zuo si kao
wang wan quan

..............page:62,66

The Reasons for the Existence of Ancient Chinese Nude Art
ZHANG Rongguo

..............page:59-61

The Natural Esthetics View in Chinese Buddhism Art
ZHANG Jingli

..............page:58,61

The Application of New History Studies Methodology in the Huang Binhong' Theory of the History of Arts
XUE Shuaijie

..............page:56-57

Coordinate Theory of Artistic
LU Shaoshan

..............page:54-55

Aesthetic Study on Manchu Women's Costume in the Qing Dynasty
MO Yan

..............page:52-53,55

The Analysis on Hue Yao Yi's clothing's Art
LI Bo;CHEN Chuyun

..............page:50-51

Analysis of Bionic Artistic Language in Yi Dress Patterns
LIU Qian;LI Lun

..............page:49,51

The Hidden Mixing——Analysis of the Color Characteristics of White Yi Branch Tracy Chow
ZOU Yuling

..............page:47-48

Semeiology Study on the Theme Lines of the Clothing of the Miao Nationality
ZHANG Mingkun;XU Renping

..............page:45-46

pan yao shen xiang hua zhi zuo hua mu de ji she hui zuo yong
huang jian fu

..............page:43-44

The Inspection on the Religion of Engraved Stones at Nanyang
JI Zhun

..............page:41-42

On the Formation and Connotation of "Red and Black" Col-ors of Qin and Han Dynasty Lacquerware
CHEN Guanglong

..............page:40,48