Arts Exploration 2007 Issue 2 "ke you ke ju " de xin ling qi xi di

"ke you ke ju " de xin ling qi xi di
song xiao jing

..............page:66-67

The Comparison in Painting Languages between Chinese Landscape Painting and Western Landscape Oil Painting
YU Long

..............page:68,70

Aesthetic Comparison of the Early Watercolor Painting Art between Chinese and the West
TANG Chang'an;XIE Xiaodong

..............page:69-70

Comprehending Traditional Patterns and Leading Modern Designs
HONG Lei

..............page:71,73

ke ji xin xi zhu dao xia de xian dai ping mian she ji
qiu yi zhi

..............page:72-73

Application of Arts of Chinese Characters in Graphic Design
XI Bin

..............page:74-75

Analysis on the Style of Jules Cheret's Poster
LUO Xianhui

..............page:76-77

yun yong hu wai guang gao she ji su zao pin pai ge xing
lu ming de ; chen chu yun ; gao yu yan

..............page:78-79

xian dai hu wai guang gao she ji fa zhan chuang xin ti xi de tan jiu
yu yi hua ; qin sui ming

..............page:80-81

biao zhi she ji de xin qu xiang
tan you jin

..............page:82,84

zhao shi nei zai mei gan tu xian xian dai qi xi jiao yu qi kan nei wen ban shi yi shi yu she ji
luo zuo

..............page:83-84

lv se bao zhuang she ji yu he xie hua she ji
li kun

..............page:85,87

The Vitality of the Package Design -Originality
LI Xiaotang

..............page:86-87

"tian ren he yi " bao zhuang she ji fa zhan de zui gao jing jie
li ying

..............page:88,90

lun ben tu hua bao zhuang she ji
zhang zong deng ; zhang hong ying

..............page:89-90

shan shui yi xing mei dao lun dao yu shan shui hua
su sheng qian

..............page:65,67

Understanding the Beauty of Forms of Chinese Painting from the Aspect of Rudolf Arnheim's Aesthetics Theory
ZHU Liangliang

..............page:63-64

gao deng zhi ye huan jing yi shu she ji zhuan ye ti xi de gou jian
zhong shang lian

..............page:62,64

The Change of the Value of Modern Calligraphy Art Education——Research on Calligraphy Art Education in Elementary School
LIN Chuoqin

..............page:60-61

On the Traditional Calligraphy Education Thinking and its Modern Value
MA Yibo

..............page:58-59,61

The Inspiration of the DBAE Teaching Concept to Chinese Art Teachers
ZHU Mei

..............page:56-57

cong yue fen pai kan nv xing fu zhuang she ji de fa zhan
guo juan

..............page:91,93

jia yong fang zhi pin hua yang chuang xin she ji
wu xun xin

..............page:92-93

Zola: A Critic's Embarrassment and Responsibility
ZHUGE Yi

..............page:99-101,103

pin pai chuan bo zhong de fu hao yin ji
cao ju jiang ; hui na

..............page:102-103

jie du " bo zuo fa "
zhang shao duan

..............page:104-105

The Features of the Books Illustration in Information Ages
SHEN Xiaoli

..............page:106,108

ren wu xing xiang zai dian shi guang gao zhong de yun yong
ji yong gang

..............page:107-108

cong 2008 nian ao yun hui kan da xing qi ye ci dao ru de ke xue hua
li ding fang

..............page:109,113

Color Analysis and Distill of Digital Color Batch
ZHOU Shunfen

..............page:110-111

ti xian shu ma tu xing yi shu shen mei te xing de fang fa
jin bo

..............page:112-113

tu xing yong hu jie mian she ji de yuan ze yu fa zhan qu shi tan tao
wang jian min

..............page:114,119

yi shu shi ye de ke xue mei shen shi
song jun

..............page:115-116

ji nian zhu pei jun jiao shou shi shi yi zhou nian

..............page:117

Thoughts on the Graduation Creating Courses of the Fine Arts Majors of Higher Education
WEN Haihong

..............page:127-128

dian nao she ji ji chu ke de zhuan ye xing jiao xue fang fa chu tan
liu zuo

..............page:129

On the Personal Guidance in Color Teaching
PENG Xiaozhong

..............page:130-131

shui cai hua feng jing xie sheng de jiao yu xue
zheng jie

..............page:132,136

lun da xue mei shu zhuan ye ban hua chuang zuo ke cheng
xu yu

..............page:133-134

gong ke lei she ji su miao jiao xue tan tao
zhang ke yong

..............page:135-136

The Painter Difficult to Understand-Klee
CHEN Li;HOU Jiming

..............page:55,57

The Images of Femininity in Picasso's Cubism Paintings
CUI Huixiang

..............page:53-54

xing ai meng ke di yu kong ju de wu qi
chen li jin

..............page:52

The Work of the Mind——The Painting Art of Paul Cezanne
ZHAO Peng

..............page:50-51

Sufferings and Freedom——Van Goph's Art and Life
LI Tao

..............page:48-49

How can the Utensil be Regarded as the Artwork comparison between Heidegger and Du Shang
CHEN Cong

..............page:46-47

xi fang mei shu zhong dui si wang zhu ti de yi shu xing biao xian
lan zuo

..............page:44-45

dang dai shu fa zuo yi
chen jing

..............page:43,51

wei liao ren sheng wei liao yi shu huai nian zhu pei jun lao you
yan han

..............page:118-119

dao en shi zhi yong ci , ji yu si yu cun yan dao nian en shi zhu pei jun xian sheng
shi xiang dong

..............page:120

zhong guo diao su yi shu shi xu
zhu pei jun

..............page:121-122

zhu pei jun mei shu huo dong nian biao
chen he yi ; zhu lian cheng

..............page:123-126

The Influence of the Esthetic Interest of Literary Intelligentsia of Song Dynasty on the Industrial Art Style
PENG Wei

..............page:32

"Drawing the Realistic Landscape"——Research on ZHAO Wangyun,the Chinese Landscape Painting Master during the Anti-Japanese War
LI Dan

..............page:31,35

The Studies of Wu Chang Shuo's 《Peaches》
GUO Shanshan

..............page:29-30

Paintings Thinking of Bian Shoumin
JIN Jianrong

..............page:27-28,30

The Mountain would be More Quiet Without Birds' Chirps A discussion on Gong Xian by His Theory about Drawing
ZHANG Xiaojun;LIU Huimin

..............page:25-26

Wang Wei's Buddhism and Taoism Figures Painting
YIN Linhong

..............page:24,26

guan kan de yi shu jian zhu mei shu su miao jiao xue xin shi jiao
li na

..............page:137

he shi wei yi shu
guo zhi gang

..............page:138

Abstracts

..............page:139-142

jing gao zuo zhe du zhe

..............page:插1

tan suo mei shu guan

..............page:插2-插10

she ji de zong he shen mei shu xing
zou zuo lin ; peng yi qing

..............page:97-98

chuan tong yi shu dui shi nei she ji de ying xiang
xu yao dong

..............page:94,98

lun ri ben yuan lin de jing guan she ji
wang zhi qiang

..............page:95-96

The Aesthetic Meaning of Flying Apsares
CHEN Jian

..............page:22-23

The Statues of Maitreya before Beiwei Dynasty in China
ZHANG Dongfang

..............page:21,23

Characters, Entering Paintings——Analysis of Characters in Paintings in the Period of 1949-1966
QU Bo

..............page:18-20

Propaganda Product of Arts during the Long March
WU Jijin

..............page:14-17

《Shenbao》 and the Dissemination of Chinese Modern Art
QIAO Zhiqiang

..............page:10-13

Discussion of "Mei" in the Aesthetic Visual Field of Chinese Calligraphy
HE Shijian

..............page:5-9,13

Arts Personality and Painting
LIU Deqing

..............page:40-42

yu mu zhai mu bei shi diao zhong " er shi si xiao " de shi jue jie du
liu min

..............page:39,42

Recession and Heritage——on the Development of Contemporary Uygur fork arts
XU Hongping

..............page:37-38

The Ichnographic Form of Longdong Shadowgraph
WAN Ting

..............page:36,38

The Embodiment of the Folk Concept of Good Fortune, Prosperity, Longevity and Happiness in Paper-cutting
GUO Zhihua

..............page:34-35

The Cultural Exchanges between China and Europe from the Aspect of the China Porcelain during the Reigns of Kangxi and Qianlong in Qing Dynasty
ZHAO Zhihua

..............page:33