Arts Exploration 2005 Issue 6 dui yi shu chuang zuo ling gan fa sheng ji zhi de si kao

dui yi shu chuang zuo ling gan fa sheng ji zhi de si kao
yang xiu fang

..............page:90-92

shi ting yi shu zai lang man zhu yi shi qi de hu rong qing xiang
ban li xia

..............page:93-96

changes of postmodemity in Recent Chinese films
ZENG Yao-Nong

..............page:96-101

yi zhong mei xue de wei du dui yu shen mei ti yan she zu xi fang yin le shi de si kao
gao fu xiao

..............page:102-104

dang xia zhong guo nv xing zhu yi yi shu mian lin zhuo hou xian dai de tiao zhan yu dian fu
tao wen wen

..............page:105-107

Analyse Xian Xinghai's aesthetic tastes
HOU Qing-qi

..............page:107-110

chen tian he yi shu ge qu de fen xi yu yan chang
chen jing

..............page:88-90

jiang jia zuo min zu sheng le yan chang yi shu feng ge
cui wei

..............page:86-87

yong ke xue de fang fa zhui qiu zi ran ge chang de gao jing jie wai ji hua qiang nv zhong yin ge chang jia liu xun mei de mei sheng chang fa jiao xue shi jian
li zhong chuan

..............page:84-85

tan sheng le yan chang zhong de qing gan biao xian
long tao

..............page:82-83

nei xin yin le ting jue zai yin le biao yan zhong de ceng ci di wei ji qi jian li
lin feng qing

..............page:80-81

"bi yan bu ji ti de xie diao yu ming xiang " dui ge chang yin zhi de " zhuo se "
fu xue bo

..............page:78-80

cong sheng dai fa sheng de ji neng zhuang tai lun ge chang sheng qu de tong yi
deng zhi wu

..............page:76-78

ru he yan zou lu pei de shan ge yu tong gu le
wei liu chun

..............page:74-75

duo mei ti gang qin ji ti ke jiao xue shuang bian xin li tan wei
liu zuo

..............page:72-73

guan yu gao xiao yi shu jiao yu de ruo gan si kao
lu xiao ling ; yang chao you

..............page:69-71

lun zhong xiao xue chang you jiao xue fa de fu hao xue gai nian yu zhi ti yu yan de ying yong
guo de hua

..............page:66-68

dui gao shi he chang ke jiao xue gai ge de si kao
luo tao

..............page:64-65

pu tong gao xiao yin le su zhi ke kai she diao cha ji si kao
chen zuo

..............page:62-63

zai yin le jiao xue zhong shen ru mei shu yin su de ke xing xing tan suo
ding zuo chun

..............page:60-61

The college and university in minor region should fully develop and use the natural music resources
JI Li

..............page:58-59

gao shi yin jiao zhuan ye shi xi cun zai de wen ti ji dui ce
zeng zuo ; zou yuan

..............page:56-58

shi lun xue qian jiao yu zhuan ye yin le ji ben ji neng jiao xue
du yue yan

..............page:54-56

duo qu dao duo mo shi ji ji fa zhan gao deng yi shu jiao yu
liang qi guang

..............page:50-53

gang qin ji xing chuang zuo yan zou zhi chuang zuo shou fa yan jiu
lai chao shi

..............page:43-49

ge qu gang qin ji xing ban zou de zuo pin fen xi fang fa
wu biao

..............page:41-42

la he ma ni nuo fu di san gang qin xie zou qu (op.30) de yan zou yao dian fen xi
dai jing

..............page:39-40

min zu yin le xue shi jiao xia de chuan tong dong xi yin le
li yan hong

..............page:5-8

zhong guo chuan tong qi le zhong " yun " de yin le yan jiu
wang gang ; wang ying

..............page:9-10

le yu hua de jiao liu yi " qi yun sheng dong " jie du yin le zhi chu tan
guo an zuo

..............page:111-114

da xue yin le jiao cai de ke jie shou xing shi ping zou jin yin le yin le zhi shi yu xin shang
zhou jing

..............page:115-117

wu lan jie meng gu zu yin le shi chu bu yan jiu
wu rong sheng

..............page:117-119

ping cai liang yu xi fang yin le wen hua
ke li

..............page:120-121

xiang xi miao ge yin le chu tan
zhang jian guo

..............page:11-15

The pluralism on the Formation of Sanmings Hakka Folk Songs
GONG Jian-yun

..............page:16-19

cong gu dai wen xian zhong zhui su zuo zuo de le qi xing zhi he yan zou ji fa
wei yang

..............page:19-21

lun yu nan " cha deng " min su zhi ji chu
li jing min

..............page:21-24

song yang min jian qi le qu chu kao
wang jian wu

..............page:25-27

The nonesuch of the form obedienting to the displaying of content:The analysis of Liszt' symphonicpoem Preludes, Les
QIU Yu-lan

..............page:27-29

An Analysis on the Writing Features of No.9 Fugue in Dmitri Shostakovich's Twenty-four Preludes and Fugues
DAI Li-xia

..............page:30-36

'My Dear Hagerl':Self-Representation in Schoenberg's String Quartet NO.2
DONG Xiao-ling

..............page:37-39